"Eugene Onegin, Op. 24, Act II: Aria di Lenski (arr. W. Thomas-Mifume for cello and piano)" by Werner Thomas-Mifune, Pyotr Ilyich Tchaikovsky, Carmen Piazzini was released on July 1, 2016. Since Eugene Onegin, Op. 24, Act II: Aria di Lenski (arr. W. Thomas-Mifume for cello and piano) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "Salut D'Amour". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, Eugene Onegin, Op. 24, Act II: Aria di Lenski (arr. W. Thomas-Mifume for cello and piano) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eugene Onegin, Op. 24, Act II: Aria di Lenski (arr. W. Thomas-Mifume for cello and piano) by Werner Thomas-Mifune, Pyotr Ilyich Tchaikovsky, Carmen Piazzini having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Everytime | Nicholas Gold | F Major | 2 | 7B | 76 BPM | ||
Oh! Weep for Those (Arr. Isserlis) | Isaac Nathan, Steven Isserlis, Connie Shih | A Minor | 0 | 8A | 79 BPM | ||
Variations sur un thème hongrois, Op. 72: II. Theme. Adagio | Jenő Hubay, BBC Scottish Symphony Orchestra, Hagai Shaham, Martyn Brabbins | E Major | 2 | 12B | 98 BPM | ||
La damoiselle élue L. 69b: Prélude (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | F Major | 0 | 7B | 134 BPM | ||
4 Romantic Pieces, Op. 75 (Transcr. Isserlis): No. 3, Allegro appassionato | Antonín Dvořák, Connie Shih, Steven Isserlis | A Minor | 0 | 8A | 79 BPM | ||
Lyric Pieces, Op. 12: No. 1, Arietta (arr. V. Godar) | Vladimír Godár, Edvard Grieg, Takako Nishizaki, Jenő Jandó | E♭ Major | 2 | 5B | 98 BPM | ||
シューマン:トロイメライ | Robert Schumann, Emiri Miyamoto | F Minor | 2 | 4A | 95 BPM | ||
The Seasons, Op. 37b (Arr. for Cello Ensemble): IV. April: Snowdrop | Werner Thomas-Mifune, Pyotr Ilyich Tchaikovsky, Piotr Stefaniak, Philharmonische Cellisten, Alfredo Marcucci | B♭ Major | 0 | 6B | 127 BPM | ||
D’un cahier d’esquisses, L.112 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
Plie (Piacer D'amor) [feat. Joyce Hammann] | Steven Mitchell, Joyce Hammann | E Major | 1 | 12B | 80 BPM |
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