"Le Lac des Cygnes, Op.20: Acte IV, Scène Finale" by L'Orchestre National du Bolchoï, Algys Juraitis was released on November 15, 2007. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "Tchaikovsky: Le Lac des Cygnes (Les Etoiles du Bolchoï)". In this album, this song's track order is #10. In terms of popularity, Le Lac des Cygnes, Op.20: Acte IV, Scène Finale is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le Lac des Cygnes, Op.20: Acte IV, Scène Finale by L'Orchestre National du Bolchoï, Algys Juraitis having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Má vlast, JB 1:112: II. Vltava, "The Moldau" | Bedřich Smetana, Gustav Kuhn, Bamberg Symphony | C Major | 4 | 8B | 128 BPM | ||
Giselle: Act I: Retour de la vendange et valse (The Grape-Pickers Return) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 134 BPM | ||
Aria (From "Joyeux Noël") | Philippe Rombi, Renaud Capuçon, Stéphane Denève, Brussels Philharmonic | E♭ Minor | 1 | 2A | 173 BPM | ||
In the Hall of the Mountain King (From "Peer Gynt", Op. 23) | Edvard Grieg, Gautier Capuçon, Anouchka Hack, Aurélien Pascal, Caroline Sypniewski, Charles Hervet, Jeein You, Julia Hagen | A♭ Minor | 2 | 1A | 113 BPM | ||
Paquita: Variation 3: Tempo di valse - Moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | C Major | 0 | 8B | 85 BPM | ||
Williams: Theme from "Schindler's List" | John Williams, Camille Berthollet, Roberto Forés Veses, Orchestre d'Auvergne | D Minor | 2 | 7A | 119 BPM | ||
3 Waltzes, Op. 64: No. 2 in C-Sharp Minor | Frédéric Chopin, Arthur Rubinstein | D♭ Minor | 0 | 12A | 76 BPM | ||
Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: The Duck | Jeremy Siepmann | A♭ Major | 0 | 4B | 94 BPM | ||
Ungarischer Tanz in G Minor, WoO, No. 5 | Slovak State Philharmonic Orchestra, Christian Ehwald | G Minor | 1 | 6A | 151 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne (Arr. for Cello and Harp) | Camille Saint-Saëns, Paul Tortelier, City Of Birmingham Symphony Orchestra, Louis Frémaux, Robert Johnston | A♭ Major | 2 | 4B | 123 BPM |
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