Lemminkainen Suite, Op. 22: IV. Lemminkainen's Return - Jean Sibelius, Daði Kolbeinsson, Richard Tchaikovsky, Iceland Symphony Orchestra, Petri Sakari Information

Acousticness: 90%
Danceability: 28%
Energy: 24%
Instrumentalness: 91%
Liveness: 9%
Loudness: 63%
Speechiness: 4%
Valence: 21%
Popularity: 12%
Loudness: -22.453 dB

Summary

Jean Sibelius, Daði Kolbeinsson, Richard Tchaikovsky, Iceland Symphony Orchestra, Petri Sakari's 'Lemminkainen Suite, Op. 22: IV. Lemminkainen's Return' came out on July 9, 1999. Lemminkainen Suite, Op. 22: IV. Lemminkainen's Return is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Sibelius: Finlandia / Karelia Suite / Lemminkainen Suite". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Hong Kong. Lemminkainen Suite, Op. 22: IV. Lemminkainen's Return is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Lemminkainen Suite, Op. 22: IV. Lemminkainen's Return BPM

With Lemminkainen Suite, Op. 22: IV. Lemminkainen's Return by Jean Sibelius, Daði Kolbeinsson, Richard Tchaikovsky, Iceland Symphony Orchestra, Petri Sakari having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Lemminkainen Suite, Op. 22: IV. Lemminkainen's Return Key

This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
La mer, L. 109: III. Dialogue du vent et de la mer	Claude Debussy, Cleveland Orchestra, Pierre Boulez	D♭ Major	2	3B	80 BPM
Symphony No. 2 in C Minor, "Resurrection": III. In ruhig fliessender Bewegung	Gustav Mahler, David Zinman	C Major	0	8B	176 BPM
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance	Richard Strauss, Fritz Reiner	F Major	0	7B	63 BPM
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei	Robert Schumann, Ivan Moravec	F Major	0	7B	130 BPM
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto	Johannes Brahms, David Zinman	C Minor	0	5A	173 BPM
Kinderszenen, Op.15: 12. Kind im Einschlummern	Robert Schumann, Martha Argerich	E Minor	0	9A	123 BPM
Rhapsodie Orientale, Op. 29: 1. Andante	Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit	D♭ Major	0	3B	89 BPM
The Gadfly, Op97: 14. Galop	Dmitri Shostakovich, Philadelphia Orchestra, Riccardo Chailly	G Major	2	9B	82 BPM
2 Pieces for the Left Hand, Op. 9: Prelude for the Left Hand in C-Sharp Minor, Op. 9, No. 1	Alexander Scriabin, Evgeny Zarafiants	D Major	0	10B	69 BPM
Symphony No.4 in D Minor, Op.13, B.41: 4. Finale (Allegro con brio)	Antonín Dvořák, London Symphony Orchestra, István Kertész	G Major	2	9B	76 BPM

ISRC: HKI199808208
Label: L-M Records/RCA Records

Section: 0.6881875991821289

End: 0.6933727264404297