Ernest John Moeran, Andrew Davis, BBC Philharmonic, Tasmin Little's 'Concerto for Violin and Orchestra: II. Rondo. Vivace' came out on November 1, 2013. Since Concerto for Violin and Orchestra: II. Rondo. Vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vaughan Williams: The Lark Ascending by Andrew Davis, BBC Philharmonic, Tasmin Little. The song's track number on the album is #2 out of 9 tracks. The popularity of Concerto for Violin and Orchestra: II. Rondo. Vivace is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto for Violin and Orchestra: II. Rondo. Vivace by Ernest John Moeran, Andrew Davis, BBC Philharmonic, Tasmin Little has a tempo of 173 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Concerto for Violin and Orchestra: II. Rondo. Vivace being at 173 BPM, the half-time would be 86 BPM with a double-time of 346 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto: III. Allegretto deciso, alla marcia | Ernest John Moeran, Guy Johnston, Ulster Orchestra, Joann Falletta | E Minor | 0 | 9A | 119 BPM | ||
Adagio pour quatuor d'orchestre | Guillaume Lekeu, Amsterdam Sinfonietta, Candida Thompson | A♭ Major | 0 | 4B | 75 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
Orchestral Suite No. 2, Op. 11: III. Kehtolaulu. Andante semplice | Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti | A Minor | 0 | 8A | 85 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
String Quartet, Op.11: 2. Molto adagio | Samuel Barber, Tankstream Quartet | B♭ Minor | 0 | 3A | 82 BPM | ||
Folk Tale | Arnold Bax, Gerald Peregrine, Antony Ingham | G Minor | 1 | 6A | 167 BPM | ||
Piano Trio: I. Pale Yellow | Jennifer Higdon, Anne Akiko Meyers, Alisa Weilerstein, Adam Neiman | A Major | 0 | 11B | 128 BPM | ||
12 Romances, Op. 21: No. 7, How Fair this Spot (Arr. for Piano Trio by Alexander Panfilov) | Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov | D Major | 0 | 10B | 132 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM |
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