"Cello Concerto: III. Allegretto deciso, alla marcia" by Ernest John Moeran, Guy Johnston, Ulster Orchestra, Joann Falletta was released on April 2, 2013. Cello Concerto: III. Allegretto deciso, alla marcia appears to be safe for all ages as it is not explicit. The track order of this song in Ernest John Moeran, Joann Falletta's "Moeran: Cello Concerto - Serenade" album is number 3 out of 13. In terms of popularity, Cello Concerto: III. Allegretto deciso, alla marcia is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Concerto: III. Allegretto deciso, alla marcia by Ernest John Moeran, Guy Johnston, Ulster Orchestra, Joann Falletta to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Theme & Variations: Var. 1, Poco più moto | Ernest John Moeran, Duncan Honeybourne | G Minor | 0 | 6A | 119 BPM | ||
String Quartet No. 1 in A minor: 2. Andante con moto | Ernest John Moeran, RTÉ Vanbrugh Quartet | B♭ Minor | 1 | 3A | 80 BPM | ||
Sinfonietta: I. Allegro con brio | Ernest John Moeran, Norman Del Mar, Bournemouth Sinfonietta | C Major | 1 | 8B | 76 BPM | ||
3 Romances, Op. 22: 1. Andante molto | Clara Schumann, Elena Urioste, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 168 BPM | ||
Daphnis et Chloé, M. 57, Tableau I: Lever du jour | Maurice Ravel, Orchestre Philharmonique Du Luxembourg, Gustavo Gimeno | E Minor | 0 | 9A | 88 BPM | ||
Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 102 BPM | ||
The Banks of Green Willow | George Butterworth, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn | A Minor | 0 | 8A | 71 BPM | ||
Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Calme des nuits, Op.68, No.1 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | E Minor | 0 | 9A | 128 BPM |
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