"Dark The Night" by East London Chorus, Locke Brass Consort, Paul Ayres was released on October 20, 1995. The duration of Dark The Night is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Dark The Night's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 18 in East London Chorus - Essentially Christmas: Seasonal Music By Rutter, Bliss, John Owen Edwards, Walton, Etc. by East London Chorus, Locke Brass Consort, Paul Ayres. In terms of popularity, Dark The Night is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dark The Night by East London Chorus, Locke Brass Consort, Paul Ayres is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Peacemakers: III. Peace, Peace! | Karl Jenkins, London Symphony Orchestra, City of Birmingham Symphony Youth Chorus, Simon Halsey, Rundfunkchor Berlin, Laurence Cottle | D Minor | 2 | 7A | 87 BPM | ||
St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Choir of Clare College, Cambridge, Graham Ross | G Minor | 2 | 6A | 140 BPM | ||
A Boy And A Girl | Eric Whitacre, Eric Whitacre Singers | C Major | 0 | 8B | 80 BPM | ||
Lord, for thy tender mercy's sake | Richard Farrant, Voices of Ascension Chorus, Voices of Ascension Orchestra, Dennis Keene | A♭ Major | 0 | 4B | 78 BPM | ||
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantus Juvenum Karlsruhe, Carsten Wiebusch, Peter Gortner | B Minor | 2 | 10A | 115 BPM | ||
Where'er Thou Goest | Choir of the New Apostolic Church, Cape Town | D Major | 4 | 10B | 113 BPM | ||
Dona Nobis Pacem: O Man Greatly Beloved | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | B♭ Major | 1 | 6B | 77 BPM | ||
Geistliches Lied, Op. 30 | Johannes Brahms, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones | E♭ Major | 1 | 5B | 172 BPM |
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