"Rakastava, Op. 14: I. The Lover. Andante con moto" by Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki was released on February 2, 2024. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Sibelius: Karelia Suite, Rakastava & Lemminkäinen". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Rakastava, Op. 14: I. The Lover. Andante con moto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rakastava, Op. 14: I. The Lover. Andante con moto by Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
25 Études faciles et progressives, Op. 100: No. 9, La chasse | Friedrich Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 78 BPM | ||
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
Runner: III. Quarters | Steve Reich, Los Angeles Philharmonic, Susanna Mälkki | A♭ Major | 2 | 4B | 99 BPM | ||
Canção De Maio | Luiz Costa, Fernando Costa, Luis Costa | G Major | 0 | 9B | 74 BPM | ||
Seaside | Carrie Baynes | E♭ Major | 2 | 5B | 66 BPM | ||
Presto Paradigm | Selena Veles | E Minor | 0 | 9A | 114 BPM | ||
Karelia Suite, Op. 11: II. Ballade. Tempo di Menuetto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | C Minor | 2 | 5A | 144 BPM | ||
Sinfonietta: II. Andante | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | G Major | 1 | 9B | 80 BPM | ||
Symphony No. 6: VI. Allegro | Howard Hanson, Helsinki Philharmonic Orchestra, Leif Segerstam | B♭ Minor | 3 | 3A | 65 BPM | ||
Danzas fantásticas, Op. 22: No. 3, Orgía (Arr. for Piano & String Orchestra by Roberto Coll) | Joaquín Turina, Concerto Málaga, Gil De Gálvez | D Major | 1 | 10B | 109 BPM |
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