"Puccini : La bohème : Act 2 "La Ritirata" [Chorus]" by Giacomo Puccini, James Conlon, Radio France Choir & Orchestre National de France, James Conlon, Orchestre National De France was released on February 1, 1988. The duration of Puccini : La bohème : Act 2 "La Ritirata" [Chorus] is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Puccini : La bohème : Act 2 "La Ritirata" [Chorus]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Puccini : La bohème [Highlights] (Apex)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from France. In terms of popularity, Puccini : La bohème : Act 2 "La Ritirata" [Chorus] is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini : La bohème : Act 2 "La Ritirata" [Chorus] by Giacomo Puccini, James Conlon, Radio France Choir & Orchestre National de France, James Conlon, Orchestre National De France having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, English Chamber Orchestra, Richard Bonynge | D Major | 0 | 10B | 169 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
Serse / Act 1 HWV40: "Ombra mai fu" | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 90 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Non lo sapete insomma (Butterfly/Sharpless/Goro/Yamadori) | Giacomo Puccini, Renata Scotto, Rolando Panerai, Piero de Palma, Giuseppe Morresi, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | D Major | 0 | 10B | 98 BPM | ||
Turandot, Act III: Nessun dorma (arr. for orchestra) | Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | D Major | 1 | 10B | 85 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 1 | 4B | 79 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
Vier letzte Lieder: 4. Im Abendrot | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D Major | 1 | 10B | 117 BPM |
Section: 0.6433966159820557
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