"Francesca da Rimini, Op. 4, Act I, Scene 3: So le storie di tutti i cavalieri (Il Giullare, Garsenda, Biancofiore, Adonella, Altichiara)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, David Cale Johnson, Tunde Franko, Anita Bader, Jaroslava Horska, Jolana Fogasova was released on 1994. With Francesca da Rimini, Op. 4, Act I, Scene 3: So le storie di tutti i cavalieri (Il Giullare, Garsenda, Biancofiore, Adonella, Altichiara) being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #4 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. Francesca da Rimini, Op. 4, Act I, Scene 3: So le storie di tutti i cavalieri (Il Giullare, Garsenda, Biancofiore, Adonella, Altichiara) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act I, Scene 3: So le storie di tutti i cavalieri (Il Giullare, Garsenda, Biancofiore, Adonella, Altichiara) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, David Cale Johnson, Tunde Franko, Anita Bader, Jaroslava Horska, Jolana Fogasova has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Op. 4, Act I, Scene 3: So le storie di tutti i cavalieri (Il Giullare, Garsenda, Biancofiore, Adonella, Altichiara) being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor, Act I: Cruda, funesta smania | Gaetano Donizetti, Stefano Antonucci, Didier Pieri, Mariano Buccino, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | G Major | 3 | 9B | 72 BPM | ||
Francesca da Rimini: Act I: Francesca, dove andrai? (Samaritana, Francesca) | Riccardo Zandonai, Pinuccia Perotti, Orchestra La Scala di Milano, Magda Olivero, Gianandrea Gavazzeni | F♯ Major | 2 | 2B | 75 BPM | ||
Francesca da Rimini, Op. 4, Act I, Scene 10: Verrà, in breve anche il tuo giorno (Francesca, Samaritana) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Hana Minutillo | E♭ Major | 1 | 5B | 126 BPM | ||
Linda di Chamounix, A. 62, Act I Scene 3: Cari luoghi ov'io passai | Gaetano Donizetti, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Janos Kulka | D Major | 2 | 10B | 84 BPM | ||
Les 7 paroles du Christ: 4e Parole - "Deus meus, ut quid dereliquisti me ?" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | E♭ Major | 0 | 5B | 82 BPM | ||
Las Golondrinas, Final, II parte: "¡Oh, Puck, por ti mi corazón!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Adriana Lecouvreur: L'anima ho stanca | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | B Minor | 3 | 10A | 150 BPM | ||
Francesca da Rimini, Op. 4, Act II: Viva Messer Giovanni Malatesta! | Riccardo Zandonai, Martin Mühle, Juan Orozco, Freiburger Kammerchor, Vokalensemble der Hochschule für Musik Freiburg, Extrachor des Theater Freiburg, Opernchor des Theater Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Minor | 0 | 6A | 132 BPM | ||
Carmen, WD 31 / Act 4: C'est toi, c'est-moi! | Georges Bizet, Freddie De Tommaso, Aigul Akhmetshina, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni | E Major | 3 | 12B | 125 BPM |
Section: 0.7094056606292725
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