"Brandenburg Concerto No.2 in F Major, BWV 1048 (Andante)" by Uberto Pieroni was released on July 17, 2007. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "The Best of Classical Music: Bach". In this album, this song's track order is #3. In terms of popularity, Brandenburg Concerto No.2 in F Major, BWV 1048 (Andante) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Brandenburg Concerto No.2 in F Major, BWV 1048 (Andante) by Uberto Pieroni having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mamma sei tu | Francesco Bonagura, Uberto Pieroni, Tranquillo Vergalli | C Major | 5 | 8B | 178 BPM | ||
La Mer in B Minor: I. "De l'aube à midi sur la mer" (From dawn to midday on the sea) - very slowly | Claude Debussy, Milan Horvat, Vienna Radio Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 3 | 10B | 108 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Alberto Lizzio, Philharmonia Slavonica | D Major | 1 | 10B | 92 BPM | ||
Viotti: Violin Concerto No. 22 in A Minor: III. Agitato assai | Giovanni Battista Viotti, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Minor | 2 | 8A | 104 BPM | ||
Sonate, D-Moll, L. 366 | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | D Minor | 1 | 7A | 134 BPM | ||
Sonata No. 15 in C Major, III. Rondo | Maria João Pires | C Major | 2 | 8B | 98 BPM | ||
Mozart: Concerto for Clarinet and Orchestra in A Major - Adagio | CHA Medical Center | D Major | 0 | 10B | 81 BPM | ||
Sonata No. 8 para piano in C Minor, Op. 13 " Sonata pathétique " : I. Grave - Allegro di molto e con brio | Wolf Rottmann | C Minor | 3 | 5A | 83 BPM | ||
Carmen, Opera Suite No. 2: III. Nocturne (Aria de Michaela Act 3) | London Festival Orchestra Alfred Scholz | E♭ Major | 1 | 5B | 67 BPM |
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