Chor der St. Hedwigs-Kathedrale Berlin's 'Symphony No. 9 in D minor, Op. 125: Te Deum, K. 141 (K. 66b)' came out on 1979. Since Symphony No. 9 in D minor, Op. 125: Te Deum, K. 141 (K. 66b) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 15 in Die Himmel rühmen by Various Artists. In terms of popularity, Symphony No. 9 in D minor, Op. 125: Te Deum, K. 141 (K. 66b) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Symphony No. 9 in D minor, Op. 125: Te Deum, K. 141 (K. 66b) by Chor der St. Hedwigs-Kathedrale Berlin is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin, WWV 75: Prelude To Act III | Richard Wagner, Wiener Philharmoniker, Karl Böhm | G Major | 3 | 9B | 120 BPM | ||
The Magic Flute, K. 620: Act I, No. 2. Aria: "Der Vogelfänger bin ich ja" | Rundfunkorchester des Südwestfunks Baden-Baden | D Major | 1 | 10B | 140 BPM | ||
Notre Dame, Op. 2: Act I Scene 2: Intermezzo | Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick | E Major | 3 | 12B | 80 BPM | ||
Schubert: Deutsche Messe, D. 872: No. 6, Nach der Wandlung | Franz Schubert, Chor der St. Hedwigs, Kathedrale Berlin, Berliner Symphoniker, Wolfgang Meyer, Karl Forster, Chor der St. Hedwigs-Kathedrale Berlin | G Major | 1 | 9B | 82 BPM | ||
Rosen aus dem Süden, Op. 388 | Johann Strauss II, Wiener Philharmoniker, Karl Böhm | E♭ Major | 3 | 5B | 142 BPM | ||
Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 24, Aria mit Chor. "Eilt, ihr angefocht'nen Seelen" | Johann Sebastian Bach, Karl Forster, Chor der St. Hedwigs-Kathedrale Berlin, Karl Christian Kohn, Berliner Symphoniker | B♭ Major | 5 | 6B | 113 BPM | ||
Brahms: Ein deutsches Requiem, Op. 45: I. Selig sind die da Leid tragen | Johannes Brahms, Rudolf Kempe, Chor der St. Hedwigs-Kathedrale Berlin, Berliner Philharmoniker | B Major | 2 | 1B | 85 BPM | ||
Also sprach Zarathustra, Op. 30: Sonnenaufgang | Richard Strauss, Fritz Reiner, Chicago Symphony Orchestra | C Major | 1 | 8B | 76 BPM | ||
Verleih' uns Frieden, MWV A11 | Felix Mendelssohn, Bavarian Radio Chorus, Munich Radio Orchestra, Howard Arman | E♭ Major | 1 | 5B | 77 BPM | ||
Le Desert: Der Ruf des Muezzins | Félicien David, Bruno Lazzaretti, Chor der St. Hedwigs-Kathedrale Berlin, Berlin Radio Symphony Orchestra, Guido Maria Guida | A♭ Major | 2 | 4B | 83 BPM |
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