"Schubert: Deutsche Messe, D. 872: No. 6, Nach der Wandlung" by Franz Schubert, Chor der St. Hedwigs, Kathedrale Berlin, Berliner Symphoniker, Wolfgang Meyer, Karl Forster, Chor der St. Hedwigs-Kathedrale Berlin was released on May 24, 2011. The duration of Schubert: Deutsche Messe, D. 872: No. 6, Nach der Wandlung is about 3 minutes long, at 3:17. Based on our data, "Schubert: Deutsche Messe, D. 872: No. 6, Nach der Wandlung" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jean-Claude Hartemann, Karl Forster's "Gounod: Cäcilienmesse / Schubert: Deutsche Messe" album is number 14 out of 17. On top of that, Germany appears to be the country where this track was created. Schubert: Deutsche Messe, D. 872: No. 6, Nach der Wandlung is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Schubert: Deutsche Messe, D. 872: No. 6, Nach der Wandlung by Franz Schubert, Chor der St. Hedwigs, Kathedrale Berlin, Berliner Symphoniker, Wolfgang Meyer, Karl Forster, Chor der St. Hedwigs-Kathedrale Berlin to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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美しき水車小屋の娘 Op. 25, D. 795: 第2曲 どこへ? | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | G Major | 1 | 9B | 125 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Adagio and Allegro, Op. 70 (version for cello and piano): Adagio | Franz Schubert, Maria Kliegel, Kristin Merscher | A♭ Major | 0 | 4B | 164 BPM | ||
美しき水車小屋の娘 Op. 25, D. 795: 第15曲 嫉妬と誇り | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | G Minor | 2 | 6A | 124 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet | Antonín Dvořák, Peter Breiner | A Major | 0 | 11B | 67 BPM |
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