- BPM
- 84
- Key
- F Major
- Camelot
- 7B
Sonata for Flute, Viola & Harp, L. 137: I. Pastorale. Lento, dolce rubato - Claude Debussy, Trio Debussy de Paris Information
- Acousticness
- 99%
- Danceability
- 28%
- Energy
- 14%
- Instrumentalness
- 85%
- Liveness
- 15%
- Loudness
- 69%
- Speechiness
- 5%
- Valence
- 5%
- Popularity
- 9%
- Loudness
- -18.788 dB
Summary
"Sonata for Flute, Viola & Harp, L. 137: I. Pastorale. Lento, dolce rubato" by Claude Debussy, Trio Debussy de Paris was released on March 28, 1977. Since Sonata for Flute, Viola & Harp, L. 137: I. Pastorale. Lento, dolce rubato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 9 in Debussy: Sonata for Flute, Viola & Harp, L. 137 - Violin Sonata, L. 140 - Cello Sonata, L. 135 by Claude Debussy, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Sonata for Flute, Viola & Harp, L. 137: I. Pastorale. Lento, dolce rubato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Sonata for Flute, Viola & Harp, L. 137: I. Pastorale. Lento, dolce rubato BPM
The tempo marking of Sonata for Flute, Viola & Harp, L. 137: I. Pastorale. Lento, dolce rubato by Claude Debussy, Trio Debussy de Paris is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Sonata for Flute, Viola & Harp, L. 137: I. Pastorale. Lento, dolce rubato Key
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Nocturnes: No. 1. Nuages | Claude Debussy, MDR Leipzig Radio Chorus, Leipzig Radio Symphony Orchestra, Max Pommer | C Major | 0 | 8B | 76 BPM | |
 | Mille regretz | Josquin des Prez, Dudok Quartet Amsterdam | A Minor | 0 | 8A | 93 BPM | |
 | Twelve Preludes For Piano (1953): I | Galina Ustvolskaya, Marianne Schroeder | D Minor | 0 | 7A | 68 BPM | |
 | Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | |
 | Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | |
 | Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | |
 | Quartet for the End of Time | Olivier Messiaen, The Fibonacci Sequence, Jack Liebeck, Julian Farrell, Benjamin Hughes, Kathron Sturrock | E Major | 0 | 12B | 86 BPM | |
 | Danzas de Panama: I. Tamborito | William Grant Still, Fritz Gearhart, Kathryn Lucktenberg, Leslie Straka, Steve Pologe | A Major | 2 | 11B | 102 BPM | |
 | Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | |
 | Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM |
- ISRC
- CH1407706701
- Label
- L-M Records/RCA Records
Section: 0.6757173538208008
End: 0.6806433200836182