"A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene IV. Interior of Marti's house: Ah, the darkness has come (Vrenchen, Sali)" by Frederick Delius, Robert Tear/Elizabeth Harwood/Royal Philharmonic Orchestra/Meredith Davies, Meredith Davies, Royal Philharmonic Orchestra was released on October 10, 2011. The duration of A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene IV. Interior of Marti's house: Ah, the darkness has come (Vrenchen, Sali) is about 3 minutes long, at 3:00. Based on our data, "A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene IV. Interior of Marti's house: Ah, the darkness has come (Vrenchen, Sali)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 46 in Delius: A Village Romeo and Juliet by Frederick Delius, Meredith Davies. A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene IV. Interior of Marti's house: Ah, the darkness has come (Vrenchen, Sali) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene IV. Interior of Marti's house: Ah, the darkness has come (Vrenchen, Sali) by Frederick Delius, Robert Tear/Elizabeth Harwood/Royal Philharmonic Orchestra/Meredith Davies, Meredith Davies, Royal Philharmonic Orchestra is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet 1916: 1. With animation | Frederick Delius, Fitzwilliam Quartet | F♯ Major | 2 | 2B | 99 BPM | ||
Variations on a Norwegian Folktune, Op. 31: I fjol gjaett'e gjeitinn | Johan Svendsen, Latvian National Symphony Orchestra, Terje Mikkelsen | E Major | 1 | 12B | 87 BPM | ||
Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 42 BPM | ||
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, New Haydn Quartet | B♭ Major | 0 | 6B | 89 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
15 Improvisations, FP 170: No. 13 in A Minor | Francis Poulenc, Lucille Chung | C Major | 0 | 8B | 72 BPM | ||
Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 67 BPM | ||
Ma mère l'oye, M. 62: Apothéose: Le jardin féerique. Lent et grave | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Major | 0 | 8B | 83 BPM | ||
Cello Concerto: Becoming slower - | Frederick Delius, Raphael Wallfisch, Sir Charles Mackerras, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 0 | 11A | 80 BPM | ||
Dido and Aeneas, Z. 626: When I am laid in earth, "Dido's Lament" (arr. L. Stokowski) | Henry Purcell, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | G Minor | 0 | 6A | 73 BPM |
Section: 0.668510913848877
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