Variations on a Rococo Theme, Op. 33, TH 57: Theme. Moderato quasi andante (Live)
Pyotr Ilyich Tchaikovsky, Nina Kotova, The Tchaikovsky Symphony Orchestra, Vladimir Fedoseyev
Tchaikovsky: Pezzo capriccioso, Variations on a Rococo Theme & Serenade
2:46 September 8, 2017
BPM
135
Key
C Major
Camelot
8B

Embed

Share Link

Variations on a Rococo Theme, Op. 33, TH 57: Theme. Moderato quasi andante (Live) - Pyotr Ilyich Tchaikovsky, Nina Kotova, The Tchaikovsky Symphony Orchestra, Vladimir Fedoseyev Information

Acousticness
76%
Danceability
33%
Energy
32%
Instrumentalness
86%
Liveness
20%
Loudness
74%
Speechiness
4%
Valence
22%
Popularity
Loudness
-15.621 dB

Summary

Pyotr Ilyich Tchaikovsky, Nina Kotova, The Tchaikovsky Symphony Orchestra, Vladimir Fedoseyev's 'Variations on a Rococo Theme, Op. 33, TH 57: Theme. Moderato quasi andante (Live)' came out on September 8, 2017. The duration of Variations on a Rococo Theme, Op. 33, TH 57: Theme. Moderato quasi andante (Live) is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Variations on a Rococo Theme, Op. 33, TH 57: Theme. Moderato quasi andante (Live)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Tchaikovsky: Pezzo capriccioso, Variations on a Rococo Theme & Serenade". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, Variations on a Rococo Theme, Op. 33, TH 57: Theme. Moderato quasi andante (Live)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Variations on a Rococo Theme, Op. 33, TH 57: Theme. Moderato quasi andante (Live) BPM

With Variations on a Rococo Theme, Op. 33, TH 57: Theme. Moderato quasi andante (Live) by Pyotr Ilyich Tchaikovsky, Nina Kotova, The Tchaikovsky Symphony Orchestra, Vladimir Fedoseyev having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Variations on a Rococo Theme, Op. 33, TH 57: Theme. Moderato quasi andante (Live) Key

This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies by Alexander Glazunov, Slovak Radio Symphony OrchestraVremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the PoppiesAlexander Glazunov, Slovak Radio Symphony OrchestraD Major110B100 BPM
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio by Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria GiuliniPiano Concerto No. 23 in A Major, K. 488: 2. AdagioWolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria GiuliniF♯ Minor011A108 BPM
Swan Lake, Op.20 - Mariinsky Version / Act 1: Scene 1: Pas de trois - Variation 1 (Allegro semplice) by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery GergievSwan Lake, Op.20 - Mariinsky Version / Act 1: Scene 1: Pas de trois - Variation 1 (Allegro semplice)Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery GergievE♭ Major25B97 BPM
Sarasate: Zigeunerweisen, Op. 20 by Pablo de Sarasate, Itzhak Perlman, Abbey Road EnsembleSarasate: Zigeunerweisen, Op. 20Pablo de Sarasate, Itzhak Perlman, Abbey Road EnsembleC Minor15A83 BPM
The Sleeping Beauty, Op. 66, TH 13 / Act 1: 6. Valse by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal DorátiThe Sleeping Beauty, Op. 66, TH 13 / Act 1: 6. ValsePyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal DorátiB♭ Major26B102 BPM
Liebesleid by Fritz Kreisler, Joshua Bell, Paul CokerLiebesleidFritz Kreisler, Joshua Bell, Paul CokerA Major111B74 BPM
Don Quixote: Act III: Coda by Ludwig Minkus, Sofia National Opera Orchestra, Nayden TodorovDon Quixote: Act III: CodaLudwig Minkus, Sofia National Opera Orchestra, Nayden TodorovG Major39B75 BPM
Symphony No. 8 in G Major, Op. 88, B. 163 (Arr. P. Breiner for Piano): III. Allegretto grazioso by Antonín Dvořák, Peter BreinerSymphony No. 8 in G Major, Op. 88, B. 163 (Arr. P. Breiner for Piano): III. Allegretto graziosoAntonín Dvořák, Peter BreinerG Major19B179 BPM
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. PrestoAntonio Vivaldi, Itzhak Perlman, Israel Philharmonic OrchestraG Minor46A136 BPM
Songs My Mother Taught Me (from Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4)Antonín Dvořák, Yo-Yo Ma, Kathryn StottB Minor010A92 BPM
ISRC
USASX1653102
Label
L-M Records/RCA Records

Section: 0.7006833553314209

End: 0.713524580001831