Gaetano Donizetti, Marilyn Horne, John Bröcheler, Piero de Palma, Graham Clark, Lieuwe Visser, Giacomo Aragall, National Philharmonic Orchestra, Richard Bonynge made "Lucrezia Borgia / Act 1: Maffio Orsini, signora, son io" available on January 1, 1978. With this song being about 5 minutes long, at 4:58, "Lucrezia Borgia / Act 1: Maffio Orsini, signora, son io" by Gaetano Donizetti, Marilyn Horne, John Bröcheler, Piero de Palma, Graham Clark, Lieuwe Visser, Giacomo Aragall, National Philharmonic Orchestra, Richard Bonynge is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 35 in Donizetti: Lucrezia Borgia by Gaetano Donizetti, Dame Joan Sutherland, Marilyn Horne, Giacomo Aragall, National Philharmonic Orchestra, Richard Bonynge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Lucrezia Borgia / Act 1: Maffio Orsini, signora, son io is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Lucrezia Borgia / Act 1: Maffio Orsini, signora, son io by Gaetano Donizetti, Marilyn Horne, John Bröcheler, Piero de Palma, Graham Clark, Lieuwe Visser, Giacomo Aragall, National Philharmonic Orchestra, Richard Bonynge is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | ||
Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 3 | 6B | 79 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Lucia di Lammermoor / Act 1: "Tu sei turbato!" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM | ||
Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino) | Vincenzo Bellini, Maria Callas, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM | ||
Anna Bolena / Act 2: "Vivi tu, te ne scongiuro" | Gaetano Donizetti, Jerry Hadley, Giorgio Surjan, Ernesto Gavazzi, Welsh National Opera Orchestra, Richard Bonynge | D Major | 4 | 10B | 70 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
L'elisir d'amore / Act I: "Una parola, Adina" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 0 | 6B | 114 BPM | ||
Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna) | Franz Lehár, Karita Mattila, London Philharmonic Orchestra, Yutaka Sado | G Major | 1 | 9B | 176 BPM | ||
Norma / Act 1: Oh! qual traspare orribile | Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 1 | 6B | 134 BPM |
Section: 0.7659528255462646
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