- BPM
- 109
- Key
- E Minor
- Camelot
- 9A
Partie a 5 in G-dur - Johann Pachelbel, London Baroque, Charles Medlam Information
- Acousticness
- 98%
- Danceability
- 34%
- Energy
- 6%
- Instrumentalness
- 94%
- Liveness
- 16%
- Loudness
- 52%
- Speechiness
- 4%
- Valence
- 15%
- Popularity
- 12%
- Loudness
- -29.081 dB
Summary
"Partie a 5 in G-dur" by Johann Pachelbel, London Baroque, Charles Medlam was released on July 31, 2007. With this song being about 5 minutes long, at 5:23, "Partie a 5 in G-dur" by Johann Pachelbel, London Baroque, Charles Medlam is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Pachelbel: Canon & Gigue: Chamber Music". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. In terms of popularity, Partie a 5 in G-dur is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Partie a 5 in G-dur BPM
With Partie a 5 in G-dur by Johann Pachelbel, London Baroque, Charles Medlam having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
Partie a 5 in G-dur Key
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Trio Sonata No. 1 in G Major: II. Andantino | Domenico Gallo, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | |
 | Concerto in G Minor: I. Allegro | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | G Minor | 1 | 6A | 94 BPM | |
 | Magnificat Fugue Primi Toni XIV, P270 | Johann Pachelbel, Matthew Owens | A Major | 2 | 11B | 113 BPM | |
 | Sonata for 2 violins and basso continuo in A, Op. 8 No. 7: II. Fuga | Pietro Locatelli, Igor Ruhadze, Ensemble Violini Capricciosi, Daria Gorban, Mark Dupere, Nika Zlataric, Vaughan Schlepp & Masato Suzuki | A♭ Major | 3 | 4B | 128 BPM | |
 | Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | |
 | 12 Trio Sonatas, Op.1, Sonata No. 1 In F Major: III. Adagio | Arcangelo Corelli, London Baroque, Charles Medlam | E Major | 3 | 12B | 122 BPM | |
 | Magnificat Fugue Quinti Toni IV, P317 | Johann Pachelbel, Matthew Owens | D Major | 2 | 10B | 69 BPM | |
 | Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | |
 | Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: II. Largo ma non tanto | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Petra Mullejans | E Major | 1 | 12B | 84 BPM | |
 | Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM |
- ISRC
- FRZ149416010
- Label
- L-M Records/RCA Records
Section: 0.6426060199737549
End: 0.6471638679504395