"Magnificat Fugue Quinti Toni IV, P317" by Johann Pachelbel, Matthew Owens was released on July 2, 2021. With Magnificat Fugue Quinti Toni IV, P317 being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "Pachelbel: Organ Works, Volume 1". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. Magnificat Fugue Quinti Toni IV, P317 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Magnificat Fugue Quinti Toni IV, P317 by Johann Pachelbel, Matthew Owens having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Walk in the Forest | Brian Crain | G Major | 2 | 9B | 71 BPM | ||
Solfeggio, H. 220 | Carl Philipp Emanuel Bach, Rebecca Chambers | C Minor | 2 | 5A | 125 BPM | ||
Andante Cantabile | Brian Crain | C Major | 2 | 8B | 84 BPM | ||
Serse (Xerxes), Hwv 40 (arr. for oboe and orchestra): Act I: Ombra mai fu, "largo" | George Frideric Handel, Jozef Cejka, Capella Istropolitana, Richard Edlinger | F Major | 1 | 7B | 88 BPM | ||
Abdelazer, Z.570: 2. Rondeau | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 97 BPM | ||
Canon en Re Mayor, P. 37: I. Canon | Johann Pachelbel, Concertante Cuarteto de Guitarras | G Major | 2 | 9B | 96 BPM | ||
Butterfly Waltz | Brian Crain | F Major | 2 | 7B | 129 BPM | ||
Magnificat Fugue Primi Toni XIV, P270 | Johann Pachelbel, Matthew Owens | A Major | 2 | 11B | 113 BPM | ||
Claire de Lune | Claude Debussy, Latvian Philharmonic Chamber Orchestra, Imar Lapinsch | D♭ Major | 0 | 3B | 90 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM |
Section: 0.8050625324249268
End: 0.8104245662689209