"Claire de Lune" by Claude Debussy, Latvian Philharmonic Chamber Orchestra, Imar Lapinsch was released on January 1, 2009. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 6 in Debussy: Prelude to the Afternoon of a Faun - Scottish March - Claire de Lune - La Mer by Claude Debussy, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Claire de Lune is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Claire de Lune by Claude Debussy, Latvian Philharmonic Chamber Orchestra, Imar Lapinsch is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Pavane for a Dead Princess | Philharmonic Orchestra, Stephanie Chase, Han De Vries, Geoffrey Simon | G Major | 0 | 9B | 73 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Nocturne No. 19 in E Minor, Op. 72, No. 1 | Frédéric Chopin, Benjamin Grosvenor | E Minor | 0 | 9A | 66 BPM | ||
Serenade in G Major, KV 525 for 2 violins, viola & bass "Eine kleine Nachtmusik": II. Andante | Wolfgang Amadeus Mozart, Philharmonia Quartet Berlin | C Major | 0 | 8B | 82 BPM | ||
Lady Caliph: Nocturne | Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta | A Minor | 3 | 8A | 90 BPM | ||
My Father's Favourite | Patrick Doyle, Tony Hymas, Robert Ziegler | A♭ Major | 1 | 4B | 59 BPM | ||
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Royal Liverpool Philharmonic Orchestra, Domingo Hindoyan, Royal Liverpool Philharmopnic Orchestra | F Major | 1 | 7B | 173 BPM | ||
Salut d'Amour, Op. 12: Salut d'amour, Op. 12 | Edward Elgar, Nigel Kennedy, Peter Pettinger, Stephen Isserlis | D Major | 1 | 10B | 84 BPM | ||
La Bayadere, Act III: 39. "Entrance of the Shades" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 76 BPM |
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