Claudio Arrau's 'Carnaval, Op. 9: Prèambule, quasi maestoso' came out on April 16, 2012. The duration of Carnaval, Op. 9: Prèambule, quasi maestoso is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Carnaval, Op. 9: Prèambule, quasi maestoso's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Piano Solo". In this album, this song's track order is #12. In terms of popularity, Carnaval, Op. 9: Prèambule, quasi maestoso is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Carnaval, Op. 9: Prèambule, quasi maestoso by Claudio Arrau having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Sonata No. 15 in C Major, II. Andante | Maria João Pires | G Major | 1 | 9B | 108 BPM | ||
Nocturne No. 7 in C Major | John Field, Benjamin Frith | C Major | 0 | 8B | 75 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | ||
Bach, JS: Violin Concerto No. 2 in E Major, BWV 1042: II. Adagio | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | A Minor | 3 | 8A | 118 BPM | ||
Suite for Cello and Orchestra, Op. 16: II. Sérénade (andantino) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | G Minor | 0 | 6A | 141 BPM | ||
Le Piccadilly | Aldo Ciccolini | F Major | 1 | 7B | 94 BPM | ||
Lyric Pieces Book X, Op. 71: No. 3 Puck | Edvard Grieg, Emil Gilels | B Major | 1 | 1B | 92 BPM | ||
Valse En La Bemol Maj Op69 N1 | Samson François | A♭ Major | 0 | 4B | 141 BPM | ||
Symphony No. 5: IV. Adagietto. Sehr langsam (Arr. Hewitt) | Gustav Mahler, Angela Hewitt | G Major | 0 | 9B | 63 BPM |
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