Tannhäuser, zweiter Akt: Noch bleibe denn
Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch, Wolfgang Windgassen, Victoria de los Ángeles, Josef Greindl, Grace Bumbry, Dietrich Fischer-Dieskau, Gerhard Stolze, Franz Crass, Georg Paskuda, Theo Adam, Else-Margarete Gardelli
Richard Wagner: Tannhäuser
2:01 January 1, 1961
BPM
84
Key
F Major
Camelot
7B

Embed

Share Link

Tannhäuser, zweiter Akt: Noch bleibe denn - Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch, Wolfgang Windgassen, Victoria de los Ángeles, Josef Greindl, Grace Bumbry, Dietrich Fischer-Dieskau, Gerhard Stolze, Franz Crass, Georg Paskuda, Theo Adam, Else-Margarete Gardelli Information

Acousticness
95%
Danceability
38%
Energy
40%
Instrumentalness
1%
Liveness
18%
Loudness
85%
Speechiness
5%
Valence
27%
Popularity
Loudness
-8.954 dB

Summary

Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch, Wolfgang Windgassen, Victoria de los Ángeles, Josef Greindl, Grace Bumbry, Dietrich Fischer-Dieskau, Gerhard Stolze, Franz Crass, Georg Paskuda, Theo Adam, Else-Margarete Gardelli's 'Tannhäuser, zweiter Akt: Noch bleibe denn' came out on January 1, 1961. The duration of Tannhäuser, zweiter Akt: Noch bleibe denn is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Tannhäuser, zweiter Akt: Noch bleibe denn's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Richard Wagner: Tannhäuser". In this album, this song's track order is #16. Tannhäuser, zweiter Akt: Noch bleibe denn is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Tannhäuser, zweiter Akt: Noch bleibe denn BPM

With Tannhäuser, zweiter Akt: Noch bleibe denn by Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch, Wolfgang Windgassen, Victoria de los Ángeles, Josef Greindl, Grace Bumbry, Dietrich Fischer-Dieskau, Gerhard Stolze, Franz Crass, Georg Paskuda, Theo Adam, Else-Margarete Gardelli having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Tannhäuser, zweiter Akt: Noch bleibe denn Key

F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
"Lobgesang" in B Flat Major, Op. 52, MWV A18: "Drum sing' ich mit meinem Liede"Felix Mendelssohn, Peter Seiffert, Gewandhausorchester, Riccardo ChaillyB♭ Major16B94 BPM
Le Villi: Act I - Evviva! Evviva! Evviva! by Giacomo Puccini, Lorin Maazel, London National Philharmonic OrchestraLe Villi: Act I - Evviva! Evviva! Evviva!Giacomo Puccini, Lorin Maazel, London National Philharmonic OrchestraC Major18B181 BPM
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée by Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar LorengarIphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunéeChristoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar LorengarG Major19B86 BPM
Mefistofele: Act I - La canzone del fischio - Son lo spirito che nega by Arrigo Boito, Riccardo MutiMefistofele: Act I - La canzone del fischio - Son lo spirito che negaArrigo Boito, Riccardo MutiF Minor24A131 BPM
Les Pêcheurs de perles: Act II: La, la, la...L'ombre descend des cieux (Villagers, Leïla, Nourabad) by Georges Bizet, Janine Micheau, Jacques Mars, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-ComiqueLes Pêcheurs de perles: Act II: La, la, la...L'ombre descend des cieux (Villagers, Leïla, Nourabad)Georges Bizet, Janine Micheau, Jacques Mars, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-ComiqueG Major19B114 BPM
Die Meistersinger von Nürnberg, Act III: Act III Scene 5: Verachtet mir die Meister nicht (Sachs, Chorus) by Richard Wagner, Theo Adam, Karl Ridderbusch, Sebastian Feiersinger, Dieter Slembeck, Thomas Hemsley, Gerd Nienstedt, Günther Treptow, Erich Klaus, William Johns, Heinz Feldhoff, Fritz Linke, Hans Franzen, Waldemar Kmentt, Hermin Esser, Gwyneth Jones, Janis Martin, Kurt Moll, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Karl BöhmDie Meistersinger von Nürnberg, Act III: Act III Scene 5: Verachtet mir die Meister nicht (Sachs, Chorus)Richard Wagner, Theo Adam, Karl Ridderbusch, Sebastian Feiersinger, Dieter Slembeck, Thomas Hemsley, Gerd Nienstedt, Günther Treptow, Erich Klaus, William Johns, Heinz Feldhoff, Fritz Linke, Hans Franzen, Waldemar Kmentt, Hermin Esser, Gwyneth Jones, Janis Martin, Kurt Moll, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Karl BöhmC Major48B102 BPM
Il barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimo by Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will HumburgIl barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimoGioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will HumburgG Major09B104 BPM
Messa di Gloria: XIV. Et unam, sanctam by Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo LarrazMessa di Gloria: XIV. Et unam, sanctamGiacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo LarrazA♭ Major14B70 BPM
Elektra, Op. 58, TrV 223: Elektra, Op. 58, TrV 223: "Allein! Weh, ganz allein."Richard Strauss, Inge Borkh, Staatskapelle Dresden, Karl BöhmD♭ Major53B179 BPM
Samson et Dalila Aria Dalila: Mon Coeur by Camille Saint-Saëns, Alberto Lizzio, Donau Philharmonisches Orchester, Rita NoelSamson et Dalila Aria Dalila: Mon CoeurCamille Saint-Saëns, Alberto Lizzio, Donau Philharmonisches Orchester, Rita NoelE Major112B63 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 1.166954517364502

End: 1.1715261936187744