Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch, Wolfgang Windgassen, Victoria de los Ángeles, Josef Greindl, Grace Bumbry, Dietrich Fischer-Dieskau, Gerhard Stolze, Franz Crass, Georg Paskuda, Theo Adam, Else-Margarete Gardelli's 'Tannhäuser, zweiter Akt: Noch bleibe denn' came out on January 1, 1961. The duration of Tannhäuser, zweiter Akt: Noch bleibe denn is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Tannhäuser, zweiter Akt: Noch bleibe denn's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Richard Wagner: Tannhäuser". In this album, this song's track order is #16. Tannhäuser, zweiter Akt: Noch bleibe denn is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tannhäuser, zweiter Akt: Noch bleibe denn by Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch, Wolfgang Windgassen, Victoria de los Ángeles, Josef Greindl, Grace Bumbry, Dietrich Fischer-Dieskau, Gerhard Stolze, Franz Crass, Georg Paskuda, Theo Adam, Else-Margarete Gardelli having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"Lobgesang" in B Flat Major, Op. 52, MWV A18: "Drum sing' ich mit meinem Liede" | Felix Mendelssohn, Peter Seiffert, Gewandhausorchester, Riccardo Chailly | B♭ Major | 1 | 6B | 94 BPM | ||
Le Villi: Act I - Evviva! Evviva! Evviva! | Giacomo Puccini, Lorin Maazel, London National Philharmonic Orchestra | C Major | 1 | 8B | 181 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
Mefistofele: Act I - La canzone del fischio - Son lo spirito che nega | Arrigo Boito, Riccardo Muti | F Minor | 2 | 4A | 131 BPM | ||
Les Pêcheurs de perles: Act II: La, la, la...L'ombre descend des cieux (Villagers, Leïla, Nourabad) | Georges Bizet, Janine Micheau, Jacques Mars, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Major | 1 | 9B | 114 BPM | ||
Die Meistersinger von Nürnberg, Act III: Act III Scene 5: Verachtet mir die Meister nicht (Sachs, Chorus) | Richard Wagner, Theo Adam, Karl Ridderbusch, Sebastian Feiersinger, Dieter Slembeck, Thomas Hemsley, Gerd Nienstedt, Günther Treptow, Erich Klaus, William Johns, Heinz Feldhoff, Fritz Linke, Hans Franzen, Waldemar Kmentt, Hermin Esser, Gwyneth Jones, Janis Martin, Kurt Moll, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Karl Böhm | C Major | 4 | 8B | 102 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | G Major | 0 | 9B | 104 BPM | ||
Messa di Gloria: XIV. Et unam, sanctam | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | A♭ Major | 1 | 4B | 70 BPM | ||
Elektra, Op. 58, TrV 223: "Allein! Weh, ganz allein." | Richard Strauss, Inge Borkh, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM | ||
Samson et Dalila Aria Dalila: Mon Coeur | Camille Saint-Saëns, Alberto Lizzio, Donau Philharmonisches Orchester, Rita Noel | E Major | 1 | 12B | 63 BPM |
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