Johannes Brahms, Werner Güra, Christoph Berner, Konrad Jarnot, Stella Doufexis, Camillo Radicke, Marlis Petersen's 'Neue Liebeslieder, Op. 65: XII. Schwarzer Wald, dein Schatten ist so düster' came out on August 28, 2007. With Neue Liebeslieder, Op. 65: XII. Schwarzer Wald, dein Schatten ist so düster being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 33 out of 36 in Brahms: Liebesliederwalzer & Neue Liebeslieder by Johannes Brahms, Werner Güra, Marlis Petersen, Konrad Jarnot, Stella Doufexis. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Neue Liebeslieder, Op. 65: XII. Schwarzer Wald, dein Schatten ist so düster is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Neue Liebeslieder, Op. 65: XII. Schwarzer Wald, dein Schatten ist so düster by Johannes Brahms, Werner Güra, Christoph Berner, Konrad Jarnot, Stella Doufexis, Camillo Radicke, Marlis Petersen is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
5 Lieder, Op. 49 (arr. for orchestra): Wiegenlied: Guten Abend, gut Nacht, Op. 49, No. 4 | Anonymous, Johannes Brahms, Slovak Radio Symphony Orchestra, Peter Breiner | E♭ Major | 1 | 5B | 113 BPM | ||
Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM | ||
Hungarian Dance No.2 In D Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 69 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM |
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