"Schlagobers Ballet, Op. 70: Act I. Aufzug. Ländler" by Richard Strauss, Tokyo Metropolitan Symphony Orchestra, Hiroshi Wakasugi was released on January 1, 1989. The duration of Schlagobers Ballet, Op. 70: Act I. Aufzug. Ländler is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Schlagobers Ballet, Op. 70: Act I. Aufzug. Ländler's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Schlagobers, Opus 70". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Schlagobers Ballet, Op. 70: Act I. Aufzug. Ländler is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schlagobers Ballet, Op. 70: Act I. Aufzug. Ländler by Richard Strauss, Tokyo Metropolitan Symphony Orchestra, Hiroshi Wakasugi having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Pieces, Op. 51: 3. Poème ailé | Alexander Scriabin, Evgeny Kissin | B Major | 0 | 1B | 97 BPM | ||
El amor brujo: Ritual Fire Dance | Manuel de Falla, Fritz Reiner, Chicago Symphony Orchestra | G Major | 1 | 9B | 134 BPM | ||
3 Hymnen von Friedrich Holderlin, Op. 71, TrV 240: No. 1. Hymne an die Liebe | Richard Strauss, Soile Isokoski, Helsinki Philharmonic Orchestra, Okko Kamu | D Minor | 1 | 7A | 144 BPM | ||
Variation 3: Con moto | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Minor | 0 | 8A | 70 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Saint-Saëns: Carnival of the Animals: IV. Tortoises | Camille Saint-Saëns, Antonio Pappano, Martha Argerich, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Major | 0 | 6B | 82 BPM | ||
The Snow Maiden, Op. 12: XIII. Dance Of The Tumblers | Moscow Symphony Orchestra, Elena Okolysheva, Arkady Mishenkin, Moscow Capella, Pyotr Ilyich Tchaikovsky | A Major | 3 | 11B | 176 BPM | ||
Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 1 | 7B | 127 BPM | ||
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM |
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