"I Puritani / Act 1: O amato zio, o mio secondo padre!" by Vincenzo Bellini, Dame Joan Sutherland, Nicolai Ghiaurov, London Symphony Orchestra, Richard Bonynge was released on January 1, 1975. The duration of I Puritani / Act 1: O amato zio, o mio secondo padre! is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. I Puritani / Act 1: O amato zio, o mio secondo padre!'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 26 in Bellini: I Puritani by Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Piero Cappuccilli, Nicolai Ghiaurov, London Symphony Orchestra, Richard Bonynge. In terms of popularity, I Puritani / Act 1: O amato zio, o mio secondo padre! is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of I Puritani / Act 1: O amato zio, o mio secondo padre! by Vincenzo Bellini, Dame Joan Sutherland, Nicolai Ghiaurov, London Symphony Orchestra, Richard Bonynge is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma / Act 2 Scene 1: "Mira, O Norma" | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | F Major | 2 | 7B | 74 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E♭ Major | 1 | 5B | 82 BPM | ||
Mazeppa, TH 7 / Act 3: "Spi, mladyenits moy prekrasniy" (Maria's Lullaby) | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Major | 1 | 3B | 76 BPM | ||
Bellini: I Puritani, Act 2: "Vien diletto, è in ciel la luna" (Elvira, Riccardo, Giorgio) | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | A♭ Major | 2 | 4B | 110 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | ||
I Puritani / Act 1: Son vergin vezzosa | Vincenzo Bellini, Dame Joan Sutherland, Margreta Elkins, Pierre Duval, Giovanni Foiani, Ezio Flagello, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Richard Bonynge | B♭ Major | 1 | 6B | 105 BPM | ||
Act I: Glück, das mir verblieb (Marietta's Lied) | Erich Wolfgang Korngold, Leontyne Price, Nello Santi | B♭ Major | 2 | 6B | 78 BPM | ||
Manon Lescaut: Act II: Intermezzo | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM |
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