Temporal Variations for Oboe and Piano: II. Oration (Lento quasi recitativo) - Benjamin Britten, Emmanuel Strosser, François Leleux Information

Acousticness: 97%
Danceability: 33%
Energy: 6%
Instrumentalness: 68%
Liveness: 19%
Loudness: 57%
Speechiness: 5%
Valence: 15%
Popularity: 1%
Loudness: -25.791 dB

Summary

"Temporal Variations for Oboe and Piano: II. Oration (Lento quasi recitativo)" by Benjamin Britten, Emmanuel Strosser, François Leleux was released on 1995. With Temporal Variations for Oboe and Piano: II. Oration (Lento quasi recitativo) being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 24 in Britten & Poulenc: Works for Oboe by François Leleux. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Temporal Variations for Oboe and Piano: II. Oration (Lento quasi recitativo)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Temporal Variations for Oboe and Piano: II. Oration (Lento quasi recitativo) BPM

The tempo marking of Temporal Variations for Oboe and Piano: II. Oration (Lento quasi recitativo) by Benjamin Britten, Emmanuel Strosser, François Leleux is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Temporal Variations for Oboe and Piano: II. Oration (Lento quasi recitativo) Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony in F Major, Op. 8, "The Cotswolds": II. Elegy: Molto adagio (In Memoriam William Morris)	Gustav Holst, Ulster Orchestra, Joann Falletta	G Major	1	9B	133 BPM
Brook Green Suite: III. Dance	Gustav Holst, English Sinfonia, Howard Griffiths	C Major	3	8B	82 BPM
Death of Usurer: Adagio	Valery Gergiev, London Symphony Orchestra	C Minor	0	5A	108 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio	Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra	F Minor	0	4A	84 BPM
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	D Minor	0	7A	84 BPM
Japanese Suite, Op. 33: II. Ceremonial Dance	Gustav Holst, Ulster Orchestra, Joann Falletta	D♭ Major	1	3B	108 BPM
Symphony No. 5 in D Minor, Op. 47: II. Allegretto	Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra	C Major	1	8B	138 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	A♭ Major	3	4B	161 BPM
Brandenburg Concerto No. 4 in G, BWV 1049: 1. Allegro	Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten	B♭ Major	1	6B	109 BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM

ISRC: FRZ149513080
Label: L-M Records/RCA Records

Section: 0.6446187496185303

End: 0.6479589939117432