Alpensymphonie, Op.64: Gefahrvolle Augenblicke - Auf dem Gipfel - Richard Strauss, Bavarian Radio Symphony Orchestra, Sir Georg Solti Information

Acousticness: 89%
Danceability: 16%
Energy: 16%
Instrumentalness: 75%
Liveness: 50%
Loudness: 71%
Speechiness: 3%
Valence: 12%
Popularity: 0%
Loudness: -17.494 dB

Summary

"Alpensymphonie, Op.64: Gefahrvolle Augenblicke - Auf dem Gipfel" by Richard Strauss, Bavarian Radio Symphony Orchestra, Sir Georg Solti was released on June 11, 2021. With this song being about 5 minutes long, at 5:12, "Alpensymphonie, Op.64: Gefahrvolle Augenblicke - Auf dem Gipfel" by Richard Strauss, Bavarian Radio Symphony Orchestra, Sir Georg Solti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 75 in the song's album "Richard Strauss". In this album, this song's track order is #26. Alpensymphonie, Op.64: Gefahrvolle Augenblicke - Auf dem Gipfel is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Alpensymphonie, Op.64: Gefahrvolle Augenblicke - Auf dem Gipfel BPM

With Alpensymphonie, Op.64: Gefahrvolle Augenblicke - Auf dem Gipfel by Richard Strauss, Bavarian Radio Symphony Orchestra, Sir Georg Solti having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Alpensymphonie, Op.64: Gefahrvolle Augenblicke - Auf dem Gipfel Key

This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Crisantemi for string orchestra	Giacomo Puccini, London Symphony Orchestra, Antonio Pappano	F♯ Minor	0	11A	101 BPM
Pelléas et Mélisande, Op. 80: 4. Sicilienne	Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa	F Major	2	7B	98 BPM
Japanese Suite, Op. 33: I. Prelude: Song of the Fisherman	Gustav Holst, Ulster Orchestra, Joann Falletta	B♭ Major	0	6B	134 BPM
La mer, L. 109: II. Jeux de vagues	Claude Debussy, Orchestre National De Lyon, Jun Markl	E Major	1	12B	84 BPM
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace	Antonín Dvořák, New York Philharmonic, Alan Gilbert	C Major	1	8B	121 BPM
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro	Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis	C Major	4	8B	150 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	C Major	1	8B	68 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	F Major	2	7B	131 BPM
Salome, Op. 54 / Scene 1: "Nach mir wird Einer kommen"	Richard Strauss, Marianne Rorholm, Clemens Bieber, Bryn Terfel, Bengt Rundgren, William Murray, Klaus Lang, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli	G Major	0	9B	82 BPM
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio	Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa	F Major	2	7B	98 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7425227165222168

End: 0.7465996742248535