"Lucia di Lammermoor, Act III: "Tu che a Dio spiegasti l'ali" (Edgardo)" by Alfredo Kraus, Great Festival Choir and Orchestra, Symphony Orchestra of Madrid, Kurt Sanderling was released on October 14, 2022. With this song being about 5 minutes long, at 5:20, "Lucia di Lammermoor, Act III: "Tu che a Dio spiegasti l'ali" (Edgardo)" by Alfredo Kraus, Great Festival Choir and Orchestra, Symphony Orchestra of Madrid, Kurt Sanderling is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 26 out of 40 in Classical Choice: Romantic Italy by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Lucia di Lammermoor, Act III: "Tu che a Dio spiegasti l'ali" (Edgardo) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lucia di Lammermoor, Act III: "Tu che a Dio spiegasti l'ali" (Edgardo) by Alfredo Kraus, Great Festival Choir and Orchestra, Symphony Orchestra of Madrid, Kurt Sanderling is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto: Act IV: Bella figlia dell'amore | Giuseppe Verdi, Sir Georg Solti, Alfredo Kraus, Rosalind Elias, Anna Moffo, Robert Merrill | A Minor | 7 | 8A | 148 BPM | ||
'La Tarántula', De La Tempranica | Victoria de los Ángeles | C Major | 3 | 8B | 75 BPM | ||
Luisa Fernanda, Acto iii: Romanza de Vidal y coro de vareadores | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | A♭ Major | 2 | 4B | 101 BPM | ||
Massenet: Werther, Act 1 Scene 10: "Il faut nous séparer" (Charlotte, Werther) | Jules Massenet, Tatiana Troyanos/Alfredo Kraus/London Philharmonic Orchestra/Michel Plasson, Michel Plasson, London Philharmonic Orchestra | G Major | 2 | 9B | 128 BPM | ||
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
Parlami d'amore, Mariu (orch. L. Logi) | Cesare Andrea Bixio, L. Logi, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | F Major | 1 | 7B | 67 BPM | ||
O cessate di piagarmi | Alessandro Scarlatti, Ramón Vargas | A Minor | 2 | 8A | 84 BPM | ||
Doña Francisquita: Fandango | Amadeo Vives, Lucero Tena, Orquesta de Conciertos de Madrid | D Minor | 9 | 7A | 178 BPM | ||
La Rosa del Azafrán: "Moniquito, Carmelo y secundarios" | Coros Cantores De Madrid, Gerardo Monreal | F Major | 4 | 7B | 126 BPM | ||
Doña Francisquita: "Dúo de Fernando y Aurora la Beltrana" - Remastered | Amadeo Vives, Alfredo Kraus, Dolores Pérez | F♯ Minor | 4 | 11A | 73 BPM |
Section: 0.6589934825897217
End: 0.664604902267456