Leonard Bernstein, Clamma Dale, Nancy Williams, Rosalind Elias, Neil Rosenshein, John Reardon, Donald Gramm, National Symphony Orchestra Washington's 'Songfest: XII. "Israfel"' came out on August 15, 1978. With this song being about 5 minutes long, at 4:36, "Songfest: XII. "Israfel"" by Leonard Bernstein, Clamma Dale, Nancy Williams, Rosalind Elias, Neil Rosenshein, John Reardon, Donald Gramm, National Symphony Orchestra Washington is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 12 out of 15 in Bernstein: Songfest, Chichester Psalms by Leonard Bernstein, National Symphony Orchestra Washington, Israel Philharmonic Orchestra, Wiener Jeunesse-Chor. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Songfest: XII. "Israfel"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Songfest: XII. "Israfel" by Leonard Bernstein, Clamma Dale, Nancy Williams, Rosalind Elias, Neil Rosenshein, John Reardon, Donald Gramm, National Symphony Orchestra Washington is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Reenah | Anonymous, Leonard Bernstein, Rochester Singers, Samuel Adler | D♭ Major | 1 | 3B | 109 BPM | ||
"Pomp and Circumstance," Op.39: March, No.1 in D | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 72 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Mass: Devotions before Mass: Hymn and Psalm, "A Simple Song" (Celebrant) | Leonard Bernstein, Jubilant Sykes, Asher Edward Wulfman, Peabody Children's Chorus, Morgan State University Choir, Baltimore Symphony Orchestra, Marin Alsop | C Major | 1 | 8B | 80 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Andante molto | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Minor | 1 | 7A | 123 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Symphony No.25 In G Minor, K. 173dB (K.183): Menuetto & Trio | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Leonard Bernstein | G Major | 0 | 9B | 126 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM |
Section: 0.7776763439178467
End: 0.7818660736083984