"Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): III. Siciliana" by Arthur Benjamin, Lajos Lencsés, Stuttgart Arcata Chamber Orchestra, Patrick Strub was released on January 1, 2000. The duration of Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): III. Siciliana is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): III. Siciliana's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Oboe Italiano". In this album, this song's track order is #3. Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): III. Siciliana is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): III. Siciliana by Arthur Benjamin, Lajos Lencsés, Stuttgart Arcata Chamber Orchestra, Patrick Strub having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in A Major, Op. 12, No. 6, G. 508: I. Allegro assai | Luigi Boccherini, German Chamber Academy Neuss, Johannes Goritzki | A Major | 1 | 11B | 80 BPM | ||
Les fêtes de Polymnie: Overture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | D♭ Major | 0 | 3B | 67 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Cello Concerto in B-Flat Major, Wq. 171: III. Allegro assai | Carl Philipp Emanuel Bach, Julian Steckel, Stuttgart Chamber Orchestra, Susanne Von Gutzeit | F Major | 2 | 7B | 148 BPM | ||
Sinfonia Iii C Major - I - Allegro Assai | Josef Mysliveček, Czech Chamber Philharmonic | G Major | 3 | 9B | 147 BPM | ||
Quartet in G Major: II. Allegro ma non troppo | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 144 BPM | ||
Clarinet Concerto in C Minor (After Cimarosa): I. Introduzione. Larghetto | Arthur Benjamin, Eduard Brunner, Munich Chamber Orchestra, Hans Stadlmair | C Minor | 0 | 5A | 80 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM |
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