"Clarinet Concerto in C Minor (After Cimarosa): I. Introduzione. Larghetto" by Arthur Benjamin, Eduard Brunner, Munich Chamber Orchestra, Hans Stadlmair was released on June 1, 2018. The duration of Clarinet Concerto in C Minor (After Cimarosa): I. Introduzione. Larghetto is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Clarinet Concerto in C Minor (After Cimarosa): I. Introduzione. Larghetto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Eduard Brunner, Munich Chamber Orchestra, Hans Stadlmair's "Il carnevale di Venezia" album is number 2 out of 10. Clarinet Concerto in C Minor (After Cimarosa): I. Introduzione. Larghetto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Clarinet Concerto in C Minor (After Cimarosa): I. Introduzione. Larghetto by Arthur Benjamin, Eduard Brunner, Munich Chamber Orchestra, Hans Stadlmair to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in D Major, J-C 16: II. Andante sempre piano | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | B♭ Minor | 1 | 3A | 106 BPM | ||
Hummel: Trumpet Concerto in E-Flat Major: I. Allegro con spirito | Johann Nepomuk Hummel, Alison Balsom, Deutsche Kammerphilharmonie Bremen | B♭ Major | 2 | 6B | 137 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): IV. Allegro giusto | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 97 BPM | ||
Jamaican Rumba, Op. 27, No. 2 (arr. W. Primrose for violin and piano) | William Primrose, Arthur Benjamin, Jascha Heifetz, Milton Kaye | C Major | 3 | 8B | 104 BPM | ||
Quintet No.1 for Guitar and Strings in D minor G.445: 2. Cantabile | Luigi Boccherini, Pepe Romero, Academy of St. Martin in the Fields | C Major | 1 | 8B | 118 BPM | ||
Flute Concerto No. 3 in C Major: III. Allegro assai | Frederick the Great, Konrad Hünteler, Cappella Coloniensis, Ulf Bjorlin | B Major | 1 | 1B | 129 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): I. Introduzione | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | B Major | 1 | 1B | 124 BPM | ||
Fantasies No. 3 | Arthur Benjamin, Caroline Almonte | F Major | 0 | 7B | 132 BPM | ||
Concerto for 2 Flutes in C Major, RV 533: I. Allegro molto | Antonio Vivaldi, Deborah Davis, Duke Dobing, City of London Sinfonia, Nicholas Kraemer | D Major | 3 | 10B | 123 BPM | ||
Boccherini: Cello Concerto No. 7 in G Major, G. 480: I. Allegro | Luigi Boccherini, Steven Isserlis, Ostrobothnian Chamber Orchestra, Juha Kangas | F Major | 5 | 7B | 107 BPM |
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