The Art Of Fugue, BWV 1080: Contrapunctus [13] inversus
Johann Sebastian Bach, Daniil Trifonov
Summer Feelings with Bach
1:57 August 6, 2022
BPM
82
Key
G Major
Camelot
9B

Embed

Share Link

The Art Of Fugue, BWV 1080: Contrapunctus [13] inversus - Johann Sebastian Bach, Daniil Trifonov Information

Acousticness
99%
Danceability
46%
Energy
27%
Instrumentalness
77%
Liveness
8%
Loudness
70%
Speechiness
3%
Valence
87%
Popularity
Loudness
-17.852 dB

Summary

On August 6, 2022, the song "The Art Of Fugue, BWV 1080: Contrapunctus [13] inversus" was released by Johann Sebastian Bach, Daniil Trifonov. With The Art Of Fugue, BWV 1080: Contrapunctus [13] inversus being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 224 in the song's album "Summer Feelings with Bach". In this album, this song's track order is #47. Furthermore, we believe that the track originated from Germany. The Art Of Fugue, BWV 1080: Contrapunctus [13] inversus is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

The Art Of Fugue, BWV 1080: Contrapunctus [13] inversus BPM

With The Art Of Fugue, BWV 1080: Contrapunctus [13] inversus by Johann Sebastian Bach, Daniil Trifonov having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

The Art Of Fugue, BWV 1080: Contrapunctus [13] inversus Key

This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Cello Suite No. 6 in D Major, BWV 1012: V. Gavottes I & II by Johann Sebastian Bach, Yo-Yo MaCello Suite No. 6 in D Major, BWV 1012: V. Gavottes I & IIJohann Sebastian Bach, Yo-Yo MaD Major110B81 BPM
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume by Robert Schumann, Kian Soltani, Aaron PilsanMyrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine BlumeRobert Schumann, Kian Soltani, Aaron PilsanF Major07B116 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachConcerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E PianoCologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachE♭ Major15B103 BPM
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato by Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderatoCarl Maria von Weber, Nino Gvetadze, Frederieke SaeijsD Minor17A112 BPM
Kol Nidrei, Op. 47 by Max Bruch, Jan Vogler, Helmut BrannyKol Nidrei, Op. 47Max Bruch, Jan Vogler, Helmut BrannyD Major110B136 BPM
Suite No. 3, P. 172: I. Italiana: Andantino by Ottorino Respighi, RTÉ National Symphony OrchestraSuite No. 3, P. 172: I. Italiana: AndantinoOttorino Respighi, RTÉ National Symphony OrchestraB♭ Major16B94 BPM
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro by Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio VivaldiConcerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. AllegroCologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio VivaldiB Minor310A123 BPM
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) by Sergei Rachmaninoff, Sergei Babayan12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano)Sergei Rachmaninoff, Sergei BabayanA♭ Major04B78 BPM
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts by Jean-Philippe Rameau, Teodor CurrentzisLes Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les ArtsJean-Philippe Rameau, Teodor CurrentzisD♭ Major13B130 BPM
Dido and Aeneas, Z. 626: Overture by Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque EnsembleDido and Aeneas, Z. 626: OvertureHenry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque EnsembleB Minor210A91 BPM
ISRC
DEN962131751
Label
L-M Records/RCA Records

Section: 0.7012784481048584

End: 0.7056941986083984