"Hosanna to the son of David" by St Edmundsbury Cathedral Choir, Scott Farrell was released on October 27, 2007. With Hosanna to the son of David being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 23 in Advent to Candlemass by St Edmundsbury Cathedral Choir. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Hosanna to the son of David is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hosanna to the son of David by St Edmundsbury Cathedral Choir, Scott Farrell is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Upon This Path | Tapestry Chamber Singers | E Minor | 2 | 9A | 65 BPM | ||
Monkland "Let Us, with a Gladsome Mind" (After Freylinghausen's Fahre fort) [Arr. J.B. Wilkes for Choir & Organ] | John Antes, Wakefield Cathedral Choir, Louise Marsh, Jonathan Bielby | C Major | 2 | 8B | 89 BPM | ||
Fill Your Hearts With Joy And Gladness | The Orchestra Choir and Congregation of All Souls Church | B♭ Major | 4 | 6B | 100 BPM | ||
All Glory, Laud and Honor | Melchior Teschner, Cathedral Choral Society, Nicholas White, Gisele Becker | C Major | 1 | 8B | 90 BPM | ||
I Truly Lack for Nothing | Laestadian Lutheran Church, Liisa Keranen | E Minor | 1 | 9A | 88 BPM | ||
Thy Bridal Chamber | Sergei Glagolev, Cappella Romana, Vladimir Morosan | E Minor | 0 | 9A | 133 BPM | ||
Nunc dimittis in D Major | Ernest John Moeran, St Edmundsbury Cathedral Choir, Scott Farrell, Mervyn Cousins | D Minor | 0 | 7A | 103 BPM | ||
Sing of Mary, Pure and Lowly (Arr. R. Proulx for Organ & Mixed Choir) | Roland Ford Palmer, Choirs of Nashotah House Theological Seminary, Thomas Heidenreich, Geoffrey Williams | G Minor | 0 | 6A | 68 BPM | ||
Johannes-Passion, BWV 245.1: 26. Choral: In meines Herzens Grunde | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin | D Major | 2 | 10B | 73 BPM | ||
Bow Brickhill "We Sing the Praise of Him Who Died" | Sir Sydney Hugo Nicholson, Choir of St Mary's Cathedral, Edinburgh, Peter Backhouse, Dennis Townhill | C Major | 1 | 8B | 79 BPM |
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