"Nunc dimittis in D Major" by Ernest John Moeran, St Edmundsbury Cathedral Choir, Scott Farrell, Mervyn Cousins was released on May 13, 1996. The duration of Nunc dimittis in D Major is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Nunc dimittis in D Major's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in St Edmundsbury Cathedral Choir, Scott Farrell, Mervyn Cousins's "Magnificat & Nunc dimittis, Vol. 11" album is number 6 out of 18. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Nunc dimittis in D Major is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nunc dimittis in D Major by Ernest John Moeran, St Edmundsbury Cathedral Choir, Scott Farrell, Mervyn Cousins to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio from Piano Sonata No. 14 in C-Sharp Minor "Moonlight Sonata", Op. 27 No. 2 (Arr. Leopold Stokowski) | Ludwig van Beethoven, Matthias Bamert, BBC Philharmonic | D♭ Minor | 0 | 12A | 69 BPM | ||
Taktakishvili: Sonata: Aria: Moderato con moto | Otar Taktakishvili, Brian Luce, Rex Woods | D Minor | 1 | 7A | 95 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Clair de Lune | Boston Cello Quartet | D♭ Major | 0 | 3B | 169 BPM | ||
The sailor and young Nancy | Ernest John Moeran, The Cambridge Singers, John Rutter | B♭ Major | 1 | 6B | 111 BPM | ||
An English Suite: VI. Air | Hubert Parry, London Symphony Orchestra, Sir Adrian Boult | G Major | 0 | 9B | 91 BPM | ||
Variations on a Rococo Theme, Op. 33: Theme - Variation 4 | Pyotr Ilyich Tchaikovsky, Sandra Lied Haga, Terje Mikkelsen, State Academic Symphony Orchestra of Russia "Evgeny Svetlanov" | D Major | 0 | 10B | 73 BPM | ||
The Birds, P. 154: IV. The Nightingale (L'usignolo) | Ottorino Respighi, Orpheus Chamber Orchestra | C Major | 0 | 8B | 85 BPM | ||
Moeran: The River-God's Song from Songs of Springtime | Chamber Choir Ireland, Ernest John Moeran, Paul Hillier | B♭ Major | 1 | 6B | 91 BPM |
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