- BPM
- 72
- Key
- B♭ Major
- Camelot
- 6B
Le Corsaire: Act II - "14. Cave Pas: Conrad, Medora" - Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes Information
- Acousticness
- 99%
- Danceability
- 24%
- Energy
- 1%
- Instrumentalness
- 69%
- Liveness
- 11%
- Loudness
- 51%
- Speechiness
- 4%
- Valence
- 20%
- Popularity
- 5%
- Loudness
- -29.669 dB
Summary
Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes's 'Le Corsaire: Act II - "14. Cave Pas: Conrad, Medora"' came out on October 14, 2011. With Le Corsaire: Act II - "14. Cave Pas: Conrad, Medora" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè's "Le Corsaire - A Ballet in Three Acts" album is number 14 out of 70. Le Corsaire: Act II - "14. Cave Pas: Conrad, Medora" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Le Corsaire: Act II - "14. Cave Pas: Conrad, Medora" BPM
We consider the tempo marking of Le Corsaire: Act II - "14. Cave Pas: Conrad, Medora" by Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Le Corsaire: Act II - "14. Cave Pas: Conrad, Medora" Key
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Die Puppenfee (The Fairy Doll): No. 7 Baby: Allegretto | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 97 BPM | |
 | Carmen Suite: VIII. Bolero (after G. Bizet): Second Intermezzo | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | B Major | 1 | 1B | 122 BPM | |
 | Adam: Giselle, Act 1: No. 5 Variation I | Adolphe Adam, Terence Kern, London Festival Ballet Orchestra | A Major | 2 | 11B | 77 BPM | |
 | Violin Concerto, Op. 48: I. Allegro molto e con brio | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | C Major | 2 | 8B | 145 BPM | |
 | Act I: Friends Of Kitri (Minkus) | Mariinsky Orchestra | D Major | 2 | 10B | 72 BPM | |
 | Scheherazade: The Fight | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 1 | 9A | 80 BPM | |
 | Cello Concerto No. 2 in B Minor, Op. 50: III. Allegretto con moto | Henri Vieuxtemps, Wen-Sinn Yang, Evergreen Symphony Orchestra, Gernot Schmalfuss | B Minor | 2 | 10A | 95 BPM | |
 | Symphony No. 1 in C Minor: III. Menuetto. Moderato | Antonio Casimir Cartellieri, Evergreen Symphony Orchestra, Gernot Schmalfuss | F Minor | 0 | 4A | 107 BPM | |
 | La Bayadere, Act I, Scene 1: 3. "Veil Dance" | Evergreen Symphony Orchestra, Kevin Galiè | E Major | 0 | 12B | 87 BPM | |
 | The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 0 | 1B | 117 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6566827297210693
End: 0.6737370491027832