"Ballet Suite No. 2 (Arr. L. Atovmyan for Orchestra): III. Polka" by Dmitri Shostakovich, Bolshoi Theatre Orchestra, Maxim Shostakovich was released on March 16, 2018. The duration of Ballet Suite No. 2 (Arr. L. Atovmyan for Orchestra): III. Polka is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Ballet Suite No. 2 (Arr. L. Atovmyan for Orchestra): III. Polka's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Shostakovich: Ballet Suites & Film Music". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Italy. Based on our statistics, Ballet Suite No. 2 (Arr. L. Atovmyan for Orchestra): III. Polka's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ballet Suite No. 2 (Arr. L. Atovmyan for Orchestra): III. Polka by Dmitri Shostakovich, Bolshoi Theatre Orchestra, Maxim Shostakovich having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Galop (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 4 | 11B | 162 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: 2. Allegro molto | Dmitri Shostakovich, Borodin Quartet | G Major | 5 | 9B | 126 BPM | ||
Zigeunerweisen, Op. 20: II. Lento | Pablo de Sarasate, Jascha Heifetz, William Steinberg, RCA Victor Symphony Orchestra | C Minor | 1 | 5A | 101 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM |
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