"Symphonie fantastique, Op. 14, H. 48: V. Songe d'une nuit du sabbat. Larghetto - Allegro" by Hector Berlioz, Michael Tilson Thomas, New York Philharmonic was released on January 5, 1998. Since Symphonie fantastique, Op. 14, H. 48: V. Songe d'une nuit du sabbat. Larghetto - Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 7 in Berlioz: Symphonie Fantastique: Classic Library Series by Hector Berlioz, Michael Tilson Thomas. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Symphonie fantastique, Op. 14, H. 48: V. Songe d'une nuit du sabbat. Larghetto - Allegro is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie fantastique, Op. 14, H. 48: V. Songe d'une nuit du sabbat. Larghetto - Allegro by Hector Berlioz, Michael Tilson Thomas, New York Philharmonic is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Morceau de Concert, Op.94 for Horn and Orchestra: 2. Allegro non troppo | Camille Saint-Saëns, Hermann Baumann, Gewandhausorchester Leipzig, Kurt Masur | F Major | 1 | 7B | 122 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
III. Presto in moto perpetuo | Samuel Barber, Leonard Slatkin, St. Louis Symphony, Elmar Oliveria | A Minor | 2 | 8A | 96 BPM | ||
Violin Concerto, Op.15: 2. Vivace | Benjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo Järvi | A Minor | 2 | 8A | 101 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): V. Intermezzo | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 0 | 4B | 65 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
String Quartet No. 2 in D Major: II. Scherzo: Allegro | Alexander Borodin, Budapest Haydn Quartet | F Major | 1 | 7B | 107 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 4. Allegro vivace | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 2 | 6B | 78 BPM | ||
La Damnation de Faust, Op. 24, H 111 / Pt. 4: Scène 15. Romance. "D'amour l'ardente flamme" | Hector Berlioz, Frederica von Stade, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | F Major | 0 | 7B | 108 BPM |
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