Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Hans-Joachim Rotzsch, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger's 'Matthäus-Passion, BWV 244, Pt. 1: No. 19, Recitative with Chorale. "O Schmerz! Hier zittert das gequälte Herz" (Tenor, Chorus) 1'43' came out on October 1, 2019. With Matthäus-Passion, BWV 244, Pt. 1: No. 19, Recitative with Chorale. "O Schmerz! Hier zittert das gequälte Herz" (Tenor, Chorus) 1'43 being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 135 in the song's album "Quintessence J.S. Bach: Matthäus Passion, Johannes Passion". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Netherlands. Matthäus-Passion, BWV 244, Pt. 1: No. 19, Recitative with Chorale. "O Schmerz! Hier zittert das gequälte Herz" (Tenor, Chorus) 1'43 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Matthäus-Passion, BWV 244, Pt. 1: No. 19, Recitative with Chorale. "O Schmerz! Hier zittert das gequälte Herz" (Tenor, Chorus) 1'43 by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Hans-Joachim Rotzsch, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Minuet No. 2 in G Minor (Formerly Attrib. J.S. Bach as BWV Anh. 115) | Lang Lang | G Minor | 1 | 6A | 109 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM |
Section: 0.6156723499298096
End: 0.6210968494415283