"Tell me Daphne for Lute & Bass Viol" by Giles Farnaby, Geneva Baroque Duo was released on June 6, 2013. The duration of Tell me Daphne for Lute & Bass Viol is about 3 minutes long, at 3:23. Based on our data, "Tell me Daphne for Lute & Bass Viol" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Renaissance Music Recital, from Italy, France & England". In this album, this song's track order is #16. Tell me Daphne for Lute & Bass Viol is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tell me Daphne for Lute & Bass Viol by Giles Farnaby, Geneva Baroque Duo having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Toye (Arr. Burnett) | Giles Farnaby, Richard Burnett | A♭ Minor | 1 | 1A | 153 BPM | ||
Pallavicino: Demetrio, Sinfonia: IV. Adagio | Carlo Pallavicino, Il Pomo D'oro | F Major | 2 | 7B | 103 BPM | ||
The Dancing Master: Come live with me and be my love | John Playford, The Broadside Band, Jeremy Barlow | C Major | 0 | 8B | 75 BPM | ||
L'Euridice, prologo: Aria di Romanesca | Giulio Caccini, Scherzi Musicali, Nicolas Achten | G Minor | 0 | 6A | 79 BPM | ||
Cecchina (Corrente) | Bellerofonte Castaldi, Evangelina Mascardi | D Minor | 1 | 7A | 90 BPM | ||
Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Susato: 12 Dances from the Danserye: III. Ronde and Salterelie | Tylman Susato, David Munrow | F Major | 2 | 7B | 112 BPM | ||
Fantasies and Preludes, Giedde I.45: Vivace alla Francese | Johann Joachim Quantz, Dorothee Oberlinger | A Major | 0 | 11B | 79 BPM | ||
Messa della Madonna: Kyrye della Madonna IV | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM |
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