"Stille Nacht, Heilige Nacht" by Thomanerchor Leipzig, Hans-Joachim Rotzsch was released on February 21, 2014. Stille Nacht, Heilige Nacht is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. This song is part of Weihnachten mit dem Thomanerchor by Thomanerchor Leipzig, Hans-Joachim Rotzsch. The song's track number on the album is #15 out of 30 tracks. Based on our data, Germany was the country where this track was produced or recorded. Stille Nacht, Heilige Nacht is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Stille Nacht, Heilige Nacht by Thomanerchor Leipzig, Hans-Joachim Rotzsch has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Stille Nacht, Heilige Nacht being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantate Domino, SV 293 | Claudio Monteverdi, Le Concert Spirituel, Herve Niquet | F Major | 2 | 7B | 88 BPM | ||
Matthäus-Passion, BWV 244, Pt. 1: No. 29, Chorale. "O Mensch, bewein dein Sünde groß" (Chorus) | Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Rudolf Mauersberger, Erhard Mauersberger | E Major | 2 | 12B | 64 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Requiem in C Minor: II. Graduale | Luigi Cherubini, Martin Pearlman, Boston Baroque | G Major | 1 | 9B | 81 BPM | ||
"Bist du bei mir" (formerly attrib. J.S.Bach as BWV 508) | Gottfried Heinrich Stölzel, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | D Major | 0 | 10B | 102 BPM | ||
Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 3 | 11A | 71 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610: VI. Esurientes | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Deborah Norman, Sarah Fox, Stephen Cleobury | A Major | 2 | 11B | 100 BPM | ||
Mass in C Major, "Messe breve No. 7 aux chapelles": Kyrie | Charles Gounod, Patrick Herget, Axel Werntges, Hartmut Roth, Philipp Tetzlaff, Martin Schmeding, Jugendkantorei Hosel, Toralf Hildebrandt | D♭ Major | 2 | 3B | 97 BPM | ||
Badinerie (Orchestral Suite No. 2 in B Minor, BWV1067) | Craig Ogden, Gareth Davies | B Minor | 3 | 10A | 123 BPM |
Section: 0.7983968257904053
End: 0.8027803897857666