Easter Oratorio, BWV 249: Sinfonia - Johann Sebastian Bach, English Baroque Soloists, John Eliot Gardiner Information

Acousticness: 96%
Danceability: 39%
Energy: 40%
Instrumentalness: 45%
Liveness: 13%
Loudness: 79%
Speechiness: 4%
Valence: 61%
Popularity: 12%
Loudness: -12.362 dB

Summary

Johann Sebastian Bach, English Baroque Soloists, John Eliot Gardiner made "Easter Oratorio, BWV 249: Sinfonia" available on March 4, 2014. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 19 in Bach: Easter Oratorio & Actus tragicus by Johann Sebastian Bach, John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Easter Oratorio, BWV 249: Sinfonia's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

Easter Oratorio, BWV 249: Sinfonia BPM

The tempo marking of Easter Oratorio, BWV 249: Sinfonia by Johann Sebastian Bach, English Baroque Soloists, John Eliot Gardiner is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Easter Oratorio, BWV 249: Sinfonia Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Cantata »Ich geh und suche mit Verlangen«, BWV 49: II. Aria (Bass): Ich geh und suche mit Verlangen	Johann Sebastian Bach, Christoph Birkmann, Philipp Nicolai, Miriam Feuersinger, Klaus Mertens, Ensemble der »Bachkantaten in Vorarlberg«	F♯ Major	4	2B	90 BPM
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Ciacona in G Minor, Z. 730	Henry Purcell, Orpheus Chamber Orchestra, Edward Brewer	G Minor	1	6A	138 BPM
Concerto Grosso In F Major, Op. 6, No. 2: II. Allegro	Arcangelo Corelli, Anna Holbling, Ludovit Kanta, Daniela Ruso, Quido Holbling, Capella Istropolitana	F Major	3	7B	140 BPM
Concerto for 3 Trumpets and Timpani in D Major, TWV 54:D3: II. Allegro	Georg Philipp Telemann, Akademie für Alte Musik Berlin	D♭ Major	2	3B	118 BPM

ISRC: GBHNG1400009
Label: L-M Records/RCA Records

Section: 0.5062499046325684

End: 0.5104372501373291