"Lamento d'Arianna, SV 22: 1a parte - Lasciatemi morire" by Claudio Monteverdi, Anne Sofie von Otter, Drottningholm Baroque Ensemble was released on November 23, 2011. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Anne Sofie von Otter's "Handel / Monteverdi / Telemann / Roman" album is number 5 out of 8. On top of that, Sweden appears to be the country where this track was created. The popularity of Lamento d'Arianna, SV 22: 1a parte - Lasciatemi morire is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lamento d'Arianna, SV 22: 1a parte - Lasciatemi morire by Claudio Monteverdi, Anne Sofie von Otter, Drottningholm Baroque Ensemble to be Vivace (lively and fast) because the track has a tempo of 161 BPM, a half-time of 80BPM, and a double-time of 322 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul Dombrecht | E♭ Minor | 1 | 2A | 114 BPM | ||
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 65 "Mache dich, mein Herze, rein" | Johann Sebastian Bach, Cornelius Hauptmann, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 3 | 12A | 82 BPM | ||
Alcina, HWV 34 / Act 1: Di' cor mio, quanto t'amai | George Frideric Handel, Joyce DiDonato, Il Complesso Barocco, Alan Curtis | B Minor | 1 | 10A | 74 BPM | ||
7 Chansons grises: No. 5, L'heure exquise | Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg | B♭ Major | 0 | 6B | 67 BPM | ||
Porpora: Semiramide riconosciuta, Act II: "Tradita, sprezzata" (Semiramide) | Nicola Porpora, Nathalie Stutzmann, Orfeo 55 | E♭ Minor | 4 | 2A | 101 BPM | ||
Monteverdi: L'Orfeo, favola in musica, SV 318, Prologue: "Hor mentre i canti alterno" (La Musica) | Claudio Monteverdi, Emmanuelle Haïm | D♭ Major | 1 | 3B | 86 BPM | ||
Les nuits d'été, Op. 7: 2. Le spectre de la rose | Hector Berlioz, Anne Sofie von Otter, Berliner Philharmoniker, James Levine | B Major | 1 | 1B | 73 BPM | ||
Cavalli: Eritrea, Act 1: "O luci belle" (Laodicea, Theramene) | Francesco Cavalli, Philippe Jaroussky, Emőke Baráth | A Minor | 1 | 8A | 76 BPM | ||
Il ritorno d'Ulisse in patria, SV 325: Act V Scene 3: E quai nuovi rumori - Live | Claudio Monteverdi, Maiko Kimoto, Choi Seoyeon, Ensemble San Felice, Federico Bardazzi | A Minor | 4 | 8A | 75 BPM | ||
Madrigals, Book VII: Ohimé, dov'è il mio ben? dov'è il mio core? | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla, Monica Piccinini, Claudio Monteverdi, Battista Guarini | G Minor | 1 | 6A | 76 BPM |
Section: 0.9773979187011719
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