- BPM
- 169
- Key
- D Major
- Camelot
- 10B
Le Beau Danube - Orchestrated: Roger Desormière: Mazurka... - Johann Strauss II, National Philharmonic Orchestra, Richard Bonynge Information
- Acousticness
- 86%
- Danceability
- 33%
- Energy
- 32%
- Instrumentalness
- 74%
- Liveness
- 11%
- Loudness
- 73%
- Speechiness
- 6%
- Valence
- 32%
- Popularity
- 1%
- Loudness
- -15.94 dB
Summary
Johann Strauss II, National Philharmonic Orchestra, Richard Bonynge's 'Le Beau Danube - Orchestrated: Roger Desormière: Mazurka...' came out on January 1, 2001. Since Le Beau Danube - Orchestrated: Roger Desormière: Mazurka... is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 22 out of 126 in Fête de Ballet by Richard Bonynge. The popularity of Le Beau Danube - Orchestrated: Roger Desormière: Mazurka... is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Le Beau Danube - Orchestrated: Roger Desormière: Mazurka... BPM
The tempo marking of Le Beau Danube - Orchestrated: Roger Desormière: Mazurka... by Johann Strauss II, National Philharmonic Orchestra, Richard Bonynge is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
Le Beau Danube - Orchestrated: Roger Desormière: Mazurka... Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | G Minor | 6 | 6A | 149 BPM | |
 | Sylvia: Pizzicato | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | E♭ Major | 0 | 5B | 159 BPM | |
 | Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM | |
 | Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | |
 | Carmen L'amour est un oiseau rebelle - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | D Major | 1 | 10B | 98 BPM | |
 | Io sono docile | Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra | F Major | 3 | 7B | 83 BPM | |
 | Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | |
 | Annen Polka, Op. 117 | Orchestra of the Viennese Volksoper & Alfred Scholz | D Major | 1 | 10B | 79 BPM | |
 | Tritsch-Tratsch Polka, Op. 214 | Nora Mercz, Johann Strauss II, Janos Balint | D Major | 1 | 10B | 76 BPM | |
 | Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | B Major | 4 | 1B | 113 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7170507907867432
End: 0.7228169441223145