Luigi Boccherini, Rolf Lislevand made "La Musica Notturna Della Strade Di Madrid: 4. Passa Calle - Allegro Vivo" available on September 3, 2009. With La Musica Notturna Della Strade Di Madrid: 4. Passa Calle - Allegro Vivo being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 18 in Boccherini: La Musica Notturna Di Madrid, "Fandango"-Quintet (feat. Rolf Lislevand) by Carmina Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, La Musica Notturna Della Strade Di Madrid: 4. Passa Calle - Allegro Vivo is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of La Musica Notturna Della Strade Di Madrid: 4. Passa Calle - Allegro Vivo by Luigi Boccherini, Rolf Lislevand is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polifemo: Alto giove (Air d'Acio) - Instrumental Version | Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin | E♭ Minor | 0 | 2A | 141 BPM | ||
Preludio y Fantasia | Gaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | G Minor | 0 | 6A | 130 BPM | ||
Cavatina | Stanley Myers, Göran Söllscher | E Major | 0 | 12B | 82 BPM | ||
Los Esclavos Felices: Obertura | Juan Crisóstomo Arriaga, Orquestra De Cadaqués, Sir Neville Marriner | D Major | 1 | 10B | 131 BPM | ||
L'Orfeo - Prologo: Toccata | Claudio Monteverdi, New London Consort, Philip Pickett | D Major | 3 | 10B | 134 BPM | ||
Rachmaninov: Cello Sonata in G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Alexander Kniazev | A Minor | 0 | 8A | 91 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Guitar Quintet No. 6 in D Major, G. 448: Guitar Quintet No. 6 in D Major, G. 448: I. Pastorale | Luigi Boccherini, Cuarteto Casals, Carles Trepat | A Major | 0 | 11B | 107 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
In a Persian Market | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | D Minor | 1 | 7A | 108 BPM |
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