Goldberg Variations, BWV 988: Variatio 29 a 1 ovvero 2 Clav.
Johann Sebastian Bach, Lang Lang
Bach: Goldberg Variations (Extended Edt.)
2:06 February 12, 2021
BPM
96
Key
E Minor
Camelot
9A

Embed

Share Link

Goldberg Variations, BWV 988: Variatio 29 a 1 ovvero 2 Clav. - Johann Sebastian Bach, Lang Lang Information

Acousticness
99%
Danceability
28%
Energy
34%
Instrumentalness
90%
Liveness
16%
Loudness
73%
Speechiness
3%
Valence
75%
Popularity
Loudness
-16.173 dB

Summary

Johann Sebastian Bach, Lang Lang made "Goldberg Variations, BWV 988: Variatio 29 a 1 ovvero 2 Clav." available on February 12, 2021. The duration of Goldberg Variations, BWV 988: Variatio 29 a 1 ovvero 2 Clav. is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Goldberg Variations, BWV 988: Variatio 29 a 1 ovvero 2 Clav.'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 30 out of 78 in Bach: Goldberg Variations (Extended Edt.) by Johann Sebastian Bach, Lang Lang, Gottfried Heinrich Stölzel, Johann Gottlieb Goldberg, Robert Schumann. In terms of popularity, Goldberg Variations, BWV 988: Variatio 29 a 1 ovvero 2 Clav. is currently below average in popularity. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

Goldberg Variations, BWV 988: Variatio 29 a 1 ovvero 2 Clav. BPM

The tempo marking of Goldberg Variations, BWV 988: Variatio 29 a 1 ovvero 2 Clav. by Johann Sebastian Bach, Lang Lang is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Goldberg Variations, BWV 988: Variatio 29 a 1 ovvero 2 Clav. Key

This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Valse lente by Germaine Tailleferre, Lang LangValse lenteGermaine Tailleferre, Lang LangF♯ Minor011A80 BPM
Fantasia And Fugue In A Minor, BWV 904 : Fugue by Janos Sebestyen, Johann Sebastian BachFantasia And Fugue In A Minor, BWV 904 : FugueJanos Sebestyen, Johann Sebastian BachA Minor38A132 BPM
Overture in D Minor, TWV 55:2: Menuet II. Doucement by Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick PeireOverture in D Minor, TWV 55:2: Menuet II. DoucementGeorg Philipp Telemann, Collegium Instrumentale Brugense, Patrick PeireF Major07B126 BPM
Suite in D Minor, HWV 447: Allemande by George Frideric Handel, David GreilsammerSuite in D Minor, HWV 447: AllemandeGeorge Frideric Handel, David GreilsammerD Minor17A74 BPM
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 by Janos Sebestyen, Johann Sebastian BachPrelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930Janos Sebestyen, Johann Sebastian BachG Minor26A129 BPM
St. John Passion, BWV 245: Part II: Recitative: Und die Kriegsknechte flochten eine Krone (Evangelist) - Sei gegrusset, lieber Judenkonig (Chorus) – Recitative: Und gaben ihm Backenstreiche (Evangelist, Pilatus) - Kreuzige, Kreuzige (Chorus) … by Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerSt. John Passion, BWV 245: Part II: Recitative: Und die Kriegsknechte flochten eine Krone (Evangelist) - Sei gegrusset, lieber Judenkonig (Chorus) – Recitative: Und gaben ihm Backenstreiche (Evangelist, Pilatus) - Kreuzige, Kreuzige (Chorus) …Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerF♯ Minor211A105 BPM
Quartet in G major / Sol majeur / G-dur: II. Vivace - Moderato - Vivace by Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der GoltzQuartet in G major / Sol majeur / G-dur: II. Vivace - Moderato - VivaceGeorg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der GoltzE♭ Minor22A115 BPM
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato by Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderatoCarl Maria von Weber, Nino Gvetadze, Frederieke SaeijsD Minor17A112 BPM
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio by Tomaso Albinoni, Anthony Camden, London Virtuosi, John GeorgiadisOboe Concerto in G Minor, Op. 9, No. 8: II. AdagioTomaso Albinoni, Anthony Camden, London Virtuosi, John GeorgiadisB♭ Major16B89 BPM
Keyboard Sonatina In D Major, Op. 36, No. 6: II. Rondo: Allegretto Spiritoso by Muzio Clementi, Balazs SzokolayKeyboard Sonatina In D Major, Op. 36, No. 6: II. Rondo: Allegretto SpiritosoMuzio Clementi, Balazs SzokolayD Major210B123 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8125715255737305

End: 0.8168911933898926