Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's 'St. John Passion, BWV 245: Part II: Recitative: Und die Kriegsknechte flochten eine Krone (Evangelist) - Sei gegrusset, lieber Judenkonig (Chorus) – Recitative: Und gaben ihm Backenstreiche (Evangelist, Pilatus) - Kreuzige, Kreuzige (Chorus) …' came out on March 1, 2011. St. John Passion, BWV 245: Part II: Recitative: Und die Kriegsknechte flochten eine Krone (Evangelist) - Sei gegrusset, lieber Judenkonig (Chorus) – Recitative: Und gaben ihm Backenstreiche (Evangelist, Pilatus) - Kreuzige, Kreuzige (Chorus) … is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The song is number 7 out of 40 in Bach: St John Passion by Johann Sebastian Bach, John Eliot Gardiner. In terms of popularity, St. John Passion, BWV 245: Part II: Recitative: Und die Kriegsknechte flochten eine Krone (Evangelist) - Sei gegrusset, lieber Judenkonig (Chorus) – Recitative: Und gaben ihm Backenstreiche (Evangelist, Pilatus) - Kreuzige, Kreuzige (Chorus) … is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of St. John Passion, BWV 245: Part II: Recitative: Und die Kriegsknechte flochten eine Krone (Evangelist) - Sei gegrusset, lieber Judenkonig (Chorus) – Recitative: Und gaben ihm Backenstreiche (Evangelist, Pilatus) - Kreuzige, Kreuzige (Chorus) … by Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in B Minor, BWV 232: Et in unum Dominum | Johann Sebastian Bach, René Jacobs, Hillevi Martinpelto, Bernarda Fink, Akademie für Alte Musik Berlin | F♯ Major | 0 | 2B | 64 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Weinen, Klagen, Sorgen, Zagen, BWV 12: Chorale: Was Gott tut | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 2 | 2B | 186 BPM | ||
Vivaldi: Dixit Dominus in D Major, RV 594: VI. Dominus a dextris tuis | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, James Gilchrist, Jonathan Lemalu, Stephen Cleobury | B Major | 5 | 1B | 98 BPM | ||
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 60 "Sehet, Jesus hat die Hand" | Johann Sebastian Bach, Michael Chance, The Monteverdi Choir, The London Oratory Junior Choir, Patrick Russill, English Baroque Soloists, John Eliot Gardiner | A♭ Major | 0 | 4B | 86 BPM | ||
I. Mache Dich, Mein Geist, Bereit BWV 115, (1) Coro: Mache Dich, Mein Geist, Bereit | Pieter Jan Leusink, Nico Van Der Meel, Peter Frankenberg, Doretthe Janssens, Bas Ramselaar, Marjon Strijk, Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Johann Sebastian Bach | F♯ Major | 1 | 2B | 112 BPM | ||
Vesperae solennes de confessore, K. 339: IV. Laudate pueri | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | D Minor | 1 | 7A | 116 BPM | ||
Vivaldi: Dixit Dominus in D Major, RV 594: VII. Judicabit in nationibus | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | A♭ Major | 1 | 4B | 108 BPM | ||
Dixit and Magnificat, K. 193: II. Magnificat | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | C Major | 1 | 8B | 109 BPM | ||
Mass in B Minor, BWV 232 / Gloria: Et in terra pax | Johann Sebastian Bach, Nancy Argenta, Jane Fairfield, Jean Knibbs, Collin Patrick, Ashley Stafford, Andrew Murgatroyd, Lloyd Morgan, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | D♭ Major | 2 | 3B | 79 BPM |
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