Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's 'St. John Passion, BWV 245: Part II: Recitative: Und die Kriegsknechte flochten eine Krone (Evangelist) - Sei gegrusset, lieber Judenkonig (Chorus) – Recitative: Und gaben ihm Backenstreiche (Evangelist, Pilatus) - Kreuzige, Kreuzige (Chorus) …' came out on March 1, 2011. St. John Passion, BWV 245: Part II: Recitative: Und die Kriegsknechte flochten eine Krone (Evangelist) - Sei gegrusset, lieber Judenkonig (Chorus) – Recitative: Und gaben ihm Backenstreiche (Evangelist, Pilatus) - Kreuzige, Kreuzige (Chorus) … is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The song is number 7 out of 40 in Bach: St John Passion by Johann Sebastian Bach, John Eliot Gardiner. In terms of popularity, St. John Passion, BWV 245: Part II: Recitative: Und die Kriegsknechte flochten eine Krone (Evangelist) - Sei gegrusset, lieber Judenkonig (Chorus) – Recitative: Und gaben ihm Backenstreiche (Evangelist, Pilatus) - Kreuzige, Kreuzige (Chorus) … is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of St. John Passion, BWV 245: Part II: Recitative: Und die Kriegsknechte flochten eine Krone (Evangelist) - Sei gegrusset, lieber Judenkonig (Chorus) – Recitative: Und gaben ihm Backenstreiche (Evangelist, Pilatus) - Kreuzige, Kreuzige (Chorus) … by Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: Magnificat in G Minor, RV 610: III. Et misericordia | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | E Minor | 2 | 9A | 100 BPM | ||
St. John Passion, BWV 245: Part I: Chorale: O grosse Lieb (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 2 | 11A | 138 BPM | ||
Handel: Water Music Suite No. 1, HWV 348: Andante | George Frideric Handel, John Eliot Gardiner, English Baroque Soloists | D♭ Minor | 0 | 12A | 89 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 2. Coro (Versus I): Christ Lag In Todes Banden | Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Sytse Buwalda, Nico Van Der Meel, Johann Sebastian Bach, Ruth Holton, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Christmas Oratorio, BWV 248/1: Bereite dich, Zion (Alto) | Johann Sebastian Bach, Christian Friedrich Henrici, Marianne Beate Kielland, Alfredo Bernardini, Barokkanerne | F Major | 2 | 7B | 81 BPM | ||
Scarlatti, D: Stabat Mater in C Minor: VII. Juxta crucem | Domenico Scarlatti, John Eliot Gardiner, English Baroque Soloists, The Monteverdi Choir | C Minor | 1 | 5A | 60 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: II. Te Deum laudamus | Marc-Antoine Charpentier, Bernard Deletré, Les Arts Florissants, William Christie | D♭ Major | 1 | 3B | 84 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | ||
The Fairy Queen / Act 5: The Plaint | Henry Purcell, Jennifer Smith, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM | ||
Vesperae solennes de confessore, K. 339: III. Beatus vir | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | G Major | 1 | 9B | 132 BPM |
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