Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica's 'Maía Manuela: "Yo No Sabía en Aquel Momento lo Que Quería"' came out on December 3, 2013. The duration of Maía Manuela: "Yo No Sabía en Aquel Momento lo Que Quería" is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Maía Manuela: "Yo No Sabía en Aquel Momento lo Que Quería"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zarzuela: María Manuela by Federico Moreno Torroba, Guillermo Fernández-Shaw, Federico Romero, Gran Orquesta Sinfonica. The song's track number on the album is #16 out of 16 tracks. Based on our data, Spain was the country where this track was produced or recorded. Based on our statistics, Maía Manuela: "Yo No Sabía en Aquel Momento lo Que Quería"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Maía Manuela: "Yo No Sabía en Aquel Momento lo Que Quería" by Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica has a tempo of 121 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Maía Manuela: "Yo No Sabía en Aquel Momento lo Que Quería" being at 121 BPM, the half-time would be 60 BPM with a double-time of 242 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Las Golondrinas: "Canción de Lina" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña | E♭ Major | 2 | 5B | 129 BPM | ||
Il barbiere di Siviglia / Act 1: Cavatina: "Ecco, ridente in cielo" | Gioachino Rossini, Ugo Benelli, Dino Mantovani, Coro del Teatro di San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | G Major | 3 | 9B | 129 BPM | ||
La Canción del Olvido: "Marinela, Marinela, Con Su Triste Cantinela..." | Federico Romero, G. Fernández Shaw, Jose Serrano, Gran Orquesta Sinfonica | E Minor | 5 | 9A | 86 BPM | ||
Le Comte Ory / Act 1: Introduction - "Jouvenelles, venez vite" | Gioachino Rossini, Bruno Pratico, Rosella Bevacqua, Marina de Liso, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | C Major | 4 | 8B | 115 BPM | ||
Canto a Murcia | Orquesta Sinfónica Española | A Major | 3 | 11B | 117 BPM | ||
Madama Butterfly: Un bel di vedremo - Remasterizado 2003 | Tania Libertad | D♭ Major | 2 | 3B | 76 BPM | ||
La Rosa del Azafrán: Introducción: "Acudid, Muchachas" | Jacinto Guerrero, Nicasio Tejada | E Major | 9 | 12B | 89 BPM | ||
Torna a Surriento (Transcr. for Tenor, Piano and Harp) | Ernesto de Curtis, Jonathan Tetelman, Sophia Muñoz, Marion Ravot | E Major | 2 | 12B | 95 BPM | ||
Bellini: I puritani, Act 1: "Ah per sempre io ti perdei" (Riccardo) | Vincenzo Bellini, Ernest Blanc, Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre | D♭ Major | 2 | 3B | 136 BPM | ||
Doña Francisquita, Act I: Cuando un Hombre se Quiere Casar, Pt. 2 (Coro) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Coro Polifonico de la Universidad de la Laguna Rondalla de Tenerife | A♭ Major | 1 | 4B | 64 BPM |
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