Adrian Cruft, Royal Ballet Sinfonia, Gavin Sutherland made "Traditional Hornpipe Suite: Billy Bones" available on January 1, 2007. With Traditional Hornpipe Suite: Billy Bones being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "The British Light Music Collection 1". In this album, this song's track order is #10. Based on our statistics, Traditional Hornpipe Suite: Billy Bones's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Traditional Hornpipe Suite: Billy Bones by Adrian Cruft, Royal Ballet Sinfonia, Gavin Sutherland having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Anyone There? (From “the London Ripper”) | Swen Fettermann | B♭ Major | 1 | 6B | 66 BPM | ||
Scenes from the Epic of Gilgamesh: I. Prologue | Robert Saxton, English Symphony Orchestra, Kenneth Woods | A Minor | 1 | 8A | 117 BPM | ||
Lord Peter's Stable-Boy | Percy Grainger, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 78 BPM | ||
Concerto for Flute and Orchestra: II. Andante | Jacques Ibert, Sami Junnonen, Helsinki Chamber Orchestra, James S. Kahane | D♭ Major | 0 | 3B | 67 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
Suite d'orchestre No. 3, Op. 79: II. Molto moderato | Moritz Moszkowski, Sinfonia Varsovia, Ian Hobson | F Major | 0 | 7B | 93 BPM | ||
Symphony Fantastique Op.14: Un Bal, Valse (Allegro Non Troppo) | Alberto Lizzio, South German Philharmonic Orchestra | A Major | 1 | 11B | 177 BPM | ||
Sauguet: Les forains: La représentation. Le prestidigitateur et la poupée | Henri Sauguet, Michel Plasson, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 82 BPM | ||
Sibelius: Suite for Violin and String Orchestra in D Minor, Op. 117: II. Evening in Spring | Jean Sibelius, Jari Valo and Ostrobothnian Chamber Orchestra, Juha Kangas, Ostrobothnian Chamber Orchestra | F Major | 1 | 7B | 92 BPM | ||
Suite in G Major, P. 58 (Original Version): III. Pastorale: Andante molto sostenuto | Ottorino Respighi, Kyler Brown, Chamber Orchestra of New York, Salvatore Di Vittorio | D Minor | 1 | 7A | 104 BPM |
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