MartÍn Palmeri, Astoria, Philippe Gérard made "Misa Tango: IV. Sanctus" available on June 4, 2021. The duration of Misa Tango: IV. Sanctus is about 3 minutes long, at 3:11. Based on our data, "Misa Tango: IV. Sanctus" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in MartÍn Palmeri, The New Baroque Times Voices, Philippe Gérard, Astoria's "Misa Tango" album is number 4 out of 9. On top of that, Belgium appears to be the country where this track was created. Misa Tango: IV. Sanctus is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Misa Tango: IV. Sanctus by MartÍn Palmeri, Astoria, Philippe Gérard to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Artaserse, Act III, Scene 1: Aria "Son qual nave ch'agitata" (Arbace) | Riccardo Broschi, Derek Lee Ragin | D♭ Major | 2 | 3B | 125 BPM | ||
With Wand'ring Steps [The Merchant of Venice] | Andreas Scholl, Baroque String Quartet, Siobhán Armstrong, Harvey Brough, Elizabeth Kenny | G Minor | 1 | 6A | 127 BPM | ||
Ophelia's Song (Arr. for Plucked String Instruments and Double Bass by Arianna Savall and Petter Udland Johansen) | Elizabeth Maconchy, Hirundo Maris, Arianna Savall | C Minor | 1 | 5A | 96 BPM | ||
Melody - From "The High Pass" | Fulvia Mancini, Jonathan Floril | A Minor | 2 | 8A | 165 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, MH 154: Requiem aeternam | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | D Major | 2 | 10B | 107 BPM | ||
Huldra's Dream | Helena Maria Falk, Bettina Bergström, The Norwegian Radio Orchestra | E Major | 4 | 12B | 163 BPM | ||
O cessate di piagarmi (from Il Pompeo) | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 68 BPM | ||
Milonga en Ay Menor | MartÍn Palmeri, Astoria, Philippe Gérard | G Major | 4 | 9B | 143 BPM | ||
Comprendo l'inganno, Archivio di Montecassino, Fondo musicale, 6d - 11/42a, 42b, 42c - Tre canzonette per chitarra francese | Mazzola, Alessandro Minci, Tania Di Giorgio | F Major | 1 | 7B | 120 BPM |
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