"Sinfonia No. 4 in La Maggiore, Op. 90 - "Italiana": III. ANdante con moto - Recorded in Berlin 11/9/1953" by Berliner Philharmoniker was released on May 21, 2008. Since Sinfonia No. 4 in La Maggiore, Op. 90 - "Italiana": III. ANdante con moto - Recorded in Berlin 11/9/1953 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "Mendelssohn: Concerto No 2, Concerto for Violin, Symphony No. 4" album is number 7 out of 9. Based on our statistics, Sinfonia No. 4 in La Maggiore, Op. 90 - "Italiana": III. ANdante con moto - Recorded in Berlin 11/9/1953's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sinfonia No. 4 in La Maggiore, Op. 90 - "Italiana": III. ANdante con moto - Recorded in Berlin 11/9/1953 by Berliner Philharmoniker to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: 4. Marsch - Live | Paul Hindemith, Berliner Philharmoniker, Wilhelm Furtwängler | B Major | 1 | 1B | 61 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Sorcerer's Apprentice | Paul Dukas, Orchestre Symphonique de Montréal, Kent Nagano | D♭ Major | 2 | 3B | 123 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Swan Lake, Op. 20a, TH 219: Russian Dance | Pyotr Ilyich Tchaikovsky, Joshua Bell, Michael Tilson Thomas, Berliner Philharmoniker | D♭ Major | 1 | 3B | 82 BPM |
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