"Symphonic Metamorphosis of Themes by Carl Maria von Weber: 4. Marsch - Live" by Paul Hindemith, Berliner Philharmoniker, Wilhelm Furtwängler was released on January 1, 2002. Symphonic Metamorphosis of Themes by Carl Maria von Weber: 4. Marsch - Live is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. This song is part of Wilhelm Furtwängler - Live Recordings 1944-1953 by Wiener Philharmoniker, Berliner Philharmoniker, Wilhelm Furtwängler. The song's track number on the album is #4 out of 39 tracks. Based on our data, Germany was the country where this track was produced or recorded. Symphonic Metamorphosis of Themes by Carl Maria von Weber: 4. Marsch - Live is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphonic Metamorphosis of Themes by Carl Maria von Weber: 4. Marsch - Live by Paul Hindemith, Berliner Philharmoniker, Wilhelm Furtwängler has a tempo of 61 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Symphonic Metamorphosis of Themes by Carl Maria von Weber: 4. Marsch - Live being at 61 BPM, the half-time would be 30 BPM with a double-time of 122 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Taktakishvili: Sonata: Aria: Moderato con moto | Otar Taktakishvili, Brian Luce, Rex Woods | D Minor | 1 | 7A | 95 BPM | ||
Oboe Concerto: II. Minuet and Musette. Allegro moderato | Ralph Vaughan Williams, Peter Oundjian, Toronto Symphony Orchestra, Sarah Jeffrey | C Major | 1 | 8B | 138 BPM | ||
Romance for Viola & Orchestra in F Major, Op. 85 | Max Bruch, Yuri Bashmet, Neeme Järvi | F Major | 0 | 7B | 105 BPM | ||
Shostakovich: Cello Concerto No. 2 in G Major, Op. 126: II. Allegretto | Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra of Saint Petersburg | G Major | 2 | 9B | 113 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM | ||
Variation 2: Poco agitato | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | F Major | 1 | 7B | 176 BPM | ||
Concerto grosso no.1 (1976-77): 2. Toccata: Allegro | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | D Major | 5 | 10B | 134 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": IV. Saltarello. Presto | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Minor | 1 | 8A | 100 BPM | ||
String Quintet In C, D. 956: 3. Scherzo (Presto) - Trio (Andante sostenuto) | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | C Major | 2 | 8B | 107 BPM |
Section: 0.838141679763794
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